When filmmaker and investigative journalist Frances Causey, a daughter of the South, set out to explore the continuing racial divisions in the US, what she discovered was that the politics of slavery didn’t end with the Civil War. In an astonishingly candid look at the United States’ original sin, The Long Shadow traces slavery’s history from America’s founding up through its insidious ties to racism today.

A documentary focused on infectious disease outbreaks.

In 2006, O.J. Simpson sat down for a wide-ranging, no-holds-barred interview. For over a decade, the tapes of that interview were lost – until now.

In 2004, Hope Ann Greggory became an American hero after winning the bronze medal for the women’s gymnastics team. Today, she’s still living in her small hometown, washed-up and embittered. Stuck in the past, Hope must reassess her life when a promising young gymnast threatens her local celebrity status.

An intimate conversation between filmmakers, chronicling De Palma’s 55-year career, his life, and his filmmaking process, with revealing anecdotes and, of course, a wealth of film clips.

UFC 211: Miocic vs. dos Santos 2 is a mixed martial arts event produced by the Ultimate Fighting Championship held on May 13, 2017 at the American Airlines Center in Dallas, Texas.

No Greater Love explores a combat deployment through the eyes of an Army chaplain, as he and his men fight their way through a hellish tour in one of the most dangerous places in Afghanistan and then as they struggle to reintegrate home.

While the 2016 election catalyzed the Women’s March and a new era of feminist activism, Tamika Mallory and Erika Andiola have been fighting for their communities for decades. Their stories expose the fundamental connection between personal and political and raise the question: what’s intersectionality and can it save the world?

Meet John G Morris, 95, a legend of photojournalism, whose unerring eye for the best shot has moved and changed the world. Morris, former Picture Editor of Life Magazine & New York Times was instrumental in the early years of Magnum with his friends and peers Robert Capa & Henri Cartier Bresson. This film covers serious subjects; the coverage of conflict through photojournalism, a sensitive view of humanity and a search for peace in the world.

I AM is an utterly engaging and entertaining non-fiction film that poses two practical and provocative questions: what’s wrong with our world, and what can we do to make it better? The filmmaker behind the inquiry is Tom Shadyac, one of Hollywood’s leading comedy practitioners and the creative force behind such blockbusters as “Ace Ventura,” “Liar Liar,” “The Nutty Professor,” and “Bruce Almighty.” However, in I AM, Shadyac steps in front of the camera to recount what happened to him after a cycling accident left him incapacitated, possibly for good. Though he ultimately recovered, he emerged with a new sense of purpose, determined to share his own awakening to his prior life of excess and greed, and to investigate how he as an individual, and we as a race, could improve the way we live and walk in the world.

Before Google, Yahoo and even Apple, before the Silicon Valley cliché of informal dress code, skateboards running the corridors and wild creativity became commonplace, one company embodied the digital economy lifestyle and business style: the one firm coming out of the Age of Aquarius was Atari. The story of Atari is two-thirds the story of Nolan Bushnell, founder and visionary, and one-third the first and probably biggest boom and bust of the new economy some 20 years before the new economy even existed. Atari was showing that technology is cool, way before the personal computer revolution took place and they were reaching out to an ever-growing audience with something that is still cool today: video games. Atari literally introduced the digital world to the mass consciousness.

A story of two coalitions – ACT UP and TAG (Treatment Action Group) – whose activism and innovation turned AIDS from a death sentence into a manageable condition. Despite having no scientific training, these self-made activists infiltrated the pharmaceutical industry and helped identify promising new drugs, moving them from experimental trials to patients in record time.