The former cricketer turned television presenter opens up about the eating disorder he has kept hidden for 20 years and challenges the stigma around the condition in men.

A woman walks into a New York gallery with a cache of unknown masterworks. Thus begins a story of art world greed, willfulness and a high-stakes con.

Filmmaker Stephen Hosier takes a journey with Richard Csanyi, his childhood friend, as he investigates the life and death of his twin brother Attila, who was found dead on a rooftop in 2020.

What happens when a machine makes life-or-death decisions? This documentary explores the dangers of artificial intelligence in military application.

At a 2012 pre-season high-school football party in Steubenville, Ohio, a young woman was raped by members of the beloved high school football team. The aftermath exposed an entire culture of complicity—and Roll Red Roll maps out the roles that peer pressure, denial, sports machismo, and social media each played in the tragedy.

Nowhere is the worldwide erosion of democracy, fueled by social media disinformation campaigns, more starkly evident than in the authoritarian regime of Philippine President Rodrigo Duterte. Journalist Maria Ressa places the tools of the free press—and her freedom—on the line in defense of truth and democracy.

A short essay on the hidden realities beneath the surface of Shanghai.

A panicky proposal. A novelty wedding cake. A fateful bunny encounter. Hannah Gadsby shares tales of love and marriage in this feel-good comedy special.

The Last Bumblebee is a solution-based documentary featuring interviews with scientists, and environmentalists discussing the importance of bumblebees as pollinators and the various threats they face.

While in San Francisco for the promotion of her last film in October 1967, Agnès Varda, tipped by her friend Tom Luddy, gets to know a relative she had never heard of before, Jean Varda, nicknamed “Yanco”. This hitherto unknown uncle lives on a boat in Sausalito, is a painter, has adopted a hippie lifestyle and loves life. The meeting is a very happy one.

Twenty-three years after his BMX bicycle company folded, Alden Olmsted sets out to reconnect with the people his innovative bikes impacted and possibly re-launch the brand that was born out of a teenage dream.

Mother and daughter – Big Edie and Little Edie Beale – live with six cats in a crumbling house in East Hampton. Little Edie, in her 50s, who wears scarves and bright colors, sings, mugs for the camera, and talks to Al and David Maysles, the filmmakers. Big Edie, in her 70s, recites poetry, comments on her daughter’s behavior, and sings “If I Loved You” in fine voice. She talks in short sentences; her daughter in volumes. The film is episodic: friends visit, there’s a small fire in the house, Little Edie goes to the shore and swims. She talks about the Catholic Church. She’s ashamed that local authorities raided the house because of all the cats. She values being different.