A pre-Depression slice of proletarian life from Weimar Germany, Harbour Drift is unusually interesting for its indifferent pessimism, rejecting even the minor rays of hope which permeate the other low-life ‘street films’ of the period. A sordid tale of poverty and greed set within a quayside milieu of crime and prostitution, the narrative centres on the quest for a sparkling pearl necklace stolen by a beggar under the gaze of a prostitute, who persuades her unemployed friend to steal it back, with tragic consequences. The story unfolds in flashback, without irony or a hint of redemption: life simply goes on. The film is remarkable for the innovative camerawork of Friedl Behn-Grund, which manipulates light and shadow to create a nightmarish atmosphere of fear and premonition.

A lonely beach on the southernmost coast of Brazil is the scene for two friends, on the brink of adulthood, to explore their understanding of themselves and one another. Martin (Mateus Almada) has been sent by his father to retrieve what appears to be an inheritance-related document from the family of his recently deceased and estranged grandfather. Tomaz (Mauricio Jose Barcellos) accompanies him, seemingly hoping to regain some of their former closeness. The two boys shelter themselves in a glass house, in front of a cold and stormy sea.

Antwerp, at the beginning of June. On a sunny Friday, eight people dream of having a different life. There’s wind and music, police and paranoia, gossip and fighting. There’s an old virus, an astrayed frisbee, a dead horse, and a mysterious person called Windman. In the evening there’s a party …

Isaac’s son Jacob deprives his brother Esau of his birthright and has to flee for his life. He finds shelter with his uncle Laban, but is himself deceived. Finally, Jacob has to face both his uncle and brother.

A woman seeks to escape her engagement to a violent politician, but when a stranger comes to her aid, the two face an onslaught of bigotry and hate.

At a Colorado ski resort, a jealous man’s paranoia results in murder.

When Elizabeth returns to her mother’s home after her marriage breaks up, she recreates her imaginary childhood friend, Fred, to escape from the trauma of losing her husband and her job. In between the chaos and mayhem that Fred creates, Elizabeth attempts to win back her husband and return to normality.

The life of Michelangelo Buonarroti.

Arthur Milo, an IRS official with access to detailed personal and financial data, chooses his kidnap victims from his files. Pete Honeycutt is in charge of the case and Milo taunts him with personal phone calls, eventually threatening his family.

An undercover cop struggling to provide for his son and ailing wife, must infiltrate a ruthless gang. But things turn sour when another cop blows his cover and he quickly finds himself battling for his life and the lives of his family.

As a young man, Tom, prepares to leave the Suffolk village of his birth, voices and experiences from his family’s past crowd in on his mind, weaving a poetic tapestry of the love of home and the longing to get away from it.

David’s turning 50 and having a Mid-life Crisis! He isn’t sure his “perfect husband” loves him, and if he’s chosen the right career. Aging is something he never thought about, but now he is faced with making the rest of his life count and hopes his close friends can help. Realizing that he may only have about 35 years left, he must figure out his life to ensure happiness and fulfillment. Fate changes everything when he meets a 15-year younger man who shows him that age does not matter, and that maybe his future happiness is right in front of him.