A tough Russian policeman is forced to partner up with a cocky Chicago police detective when he is sent to Chicago to apprehend a Georgian drug lord who killed his partner and fled the country.
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From the Director of ‘DEADTIME’ and ‘Crying Wolf’ comes Cute Little Buggers! Will you let them take our women? It’s Gremlins meets Hot Fuzz set in the English countryside. When hostile aliens crash land on local farmland the villagers at the summer ball get suspicious when young women start going missing. The villagers soon band together around our hero Melchoir to fend off the invaders and bring back peace to the sleepy English countryside! B-movie laughs in this creature feature from Director Tony Jopia.
An unknown idol group named Bella, who has become a disorderly mess due to their agencyandapos;s poor treatment. Bella overcomes their conflict with an evil manager who tries to sell them, and they eventually manage to enter the Billboar…
A bird raised by mice begins to question where she belongs and sets off on a daring journey of self-discovery.
Directed by Matt Walsh, a co-founding member of world-renowned comedy troupe Upright Citizens Brigade, High Road showcases a totally improvised script about Glenn “Fitz” Fitzgerald (James Pumphrey), a young man whose loyalties are split among his band, his girlfriend Monica(Abby Elliottt) and selling drugs. After his band breaks up, Fitz finds himself dealing drugs out of his garage and bonding with 16-year-old neighborhood kid Jimmy (Dylan O’Brien). As his former band mates (Zach Woods, Matt L. Jones, Lizzy Caplan) begin finding success and one of his drug deals goes awry, Fitz hits the road with Jimmy. Amid car chases, guns, broken bones, sassy cabbies and a suspicious doctor (Horatio Sanz), Fitz has to navigate their way to safe harbor–and he doesn’t even know about the surprise Monica has in store for him back home!
Ali Osman is a former bully of city of Istanbul. But lately he gives up bully and starts to operate a synthetic pitch. He often meets his old friends, former bullies, too. One day Ali Osman receives a news which is related with his previous passionate life. Then the whole action stats as a chain of events.
Chandra Bose goes to his close friend Yatindran’s house, to watch TV . One day a minor squabble gets out and Chandra storms out swearing to buy a color TV . He takes desperate measures to acquire TV and gets caught in a series of troubles.
Six Romanian artists get to live the dream of their life in a road-movie full of adventures: America, here we come! Coming all the way from Targoviste – a little town near the capital, the five actors, director, and a little child with his huge teddy bear, cross the ocean to perform in New York. Not everything goes according to plan though. The six decide, for some extra money, to start working with a local agent, also Romanian, settled in The States for some time, who promises them a major tour.
Glen, a former sperm donor and recently diagnosed sociopath, takes his daughter on a murder spree of his sperm-donated offspring in the dark comedy, ‘Spermicide.’
Nian is trying to get into shape for the state Gaokao exam. Her chances of getting a spot at university depend on her score and the constant bullying of her classmates is not helping much. Bei’s world is the street, with all its dark corners. A night-time encounter brings the shy schoolgirl together with the street-savvy trickster, Bei. When Nian’s school nemesis turns up dead, the new allies come under suspicion.
When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.
