When a veteran African-American street cop is unjustly convicted for the murder of a violent gang-member, he must take his appeal into his own hands to fight for both his life and freedom.

A Marine war veteran faces mental and emotional challenges when he tries to reintegrate back into civilian life.

A scientist discovers dinosaurs on a remote plateau in Mongolia.

Three mysterious figures emerge from the Mojave Desert and make their way to Los Angeles, leaving a trail of bodies in their path. To thwart their plans for global genocide, a mysteriously old-fashioned Army intelligence officer will need to team up with a hardscrabble LAPD detective who, having just freshly broken up with her philandering fiancé, is about to discover that knowing who to trust can be the difference between life and death.

Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.

A serial killer, never caught, leaves clues and messages signed ‘BSP’ after quickly murdering each man but torturing his girl to death. His last case is an exception, the detective in charge finds his wife murdered while has pre-teen daughter had to watch. Thirty years later, she’s still obsessed by the case, which drove her dad insane, and a police detective herself. When the whole cycle starts again, she gets convinced it’s not BSP but an ambitious copy-cat, but he certainly outsmarts her every time. He also makes clear she’s to be his final kill. Meanwhile she alienates even colleagues with her arrogance and obsession, finally to be suspended as the FBI takes over

It’s Christmas with the Chandlers but no one seems to have the Christmas spirit – except for Stephanie, that is. Marci and Blair are obsessing over being the perfect parents, Myra and Donald have retired and suddenly feel useless and Elizabeth is bending over backwards to get a promotion at work. Add to that Stephanie’s blooming romance with Lawrence – who is torn between being with her and continuing his mission work – and Christmas seems to be taking a back seat. That is, until a group of kids at an orphanage helps the family to realize that there’s more to Christmas than wrapping gifts and baking cookies.

In this award-winning comedy-drama satire about the entertainment industry, a washed-up screenwriter encounters multiple life crises when his pet cat comes to life. (Based on the 2017 short film, Howard Original).

Four truck stop prostitutes overthrow their pimp, and decide to take what they want by any means necessary.

A family film which tells the unlikely and timeless story about almost ten year old Tony, whose father rises from being a crane driver to Secretary of State. As a result his parents get divorced and Tony does everything he can to bring them back together. He even calls in the help of the queen.

A naval officer reprimanded after Pearl Harbor is later promoted to rear admiral and gets a second chance to prove himself against the Japanese.

A present-day idyllic kingdom where the benevolent teenage son of King Adam and Queen Belle offers a chance of redemption for the troublemaking offspring of Disney’s classic villains: Cruella De Vil (Carlos), Maleficent (Mal), the Evil Queen (Evvie) and Jafar (Jay).