Raja Rani Raji is a Bengali movie starring Bonny Sengupta and Rittika Sen in prominent roles. It is a romantic drama directed by Rajib Kumar Biswas.
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After a violent mugging, soon-to-be parents Robin and Ben flee the city for the idyllic countryside, a perfect place to raise their child. Unfortunately their disturbingly attentive neighbors have their own agenda for Robin and her family.
A bee-keeper initiates fight against the society of consumption for saving the bees.
When unstable Connie is tragically widowed, she finds it impossible to care for her delinquent adolescent daughter, Niki, forcing her son, Bill, to take his sister in. As the two begin to forge a healthy bond, well-meaning Bill implements his own method of treatment for Niki’s mental troubles, but, when turmoil persists, he must reconcile his beliefs with what actually may be best for his sister.
In 1981, chalk slogans written in uppercase letters started appearing in public spaces in the Romanian city of Botoşani. They demanded freedom, alluded to the democratic developments taking place in Romania’s socialist sister countries or simply called for improvements in the food supply. Mugur Călinescu was behind them, who was still at school at the time and whose case is documented in the files of the Romanian secret police. Theatre director Gianina Cărbunariu created a documentary play based on this material.
While trying to raise money to prevent his car from being repossessed, George is attracted to Lola, a Frenchwoman who works in a “model shop” (an establishment which rents out beautiful pin-up models to photographers). George spends his last twelve dollars to photograph her, and discovers that she is as unhappy as he.
Frustrated by the status quo, fifteen-year-old Sean Crawford takes his dad’s Tesla for a joy ride to see his crush – except he doesn’t have a license and zero clue that the girl waiting for him is going to change his life forever in the span of a weekend.
Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.
Top level CIA agent Avery Graves is blackmailed by terrorists into betraying her own country to save her kidnapped husband. Cut off from her team, she turns to her underworld contacts to survive and help locate the coveted intelligence that the kidnappers want.
This is an intriguing avant-garde look at what motivates the leisurely classes in Portugal, for better or worse, by director Manoel de Oliveira. Set in a spacious country home peopled with a wide-ranging cast of characters, the drama begins as the friends of a widow come to console her on the loss of her husband. But at one point, the widow goes upstairs, encounters her husband, and is faced with his accusations about the past. This event and others provide the means of revealing the petty, self-serving, egocentric, and romantic pursuits of the melange of people in the house. – Eleanor Mannikka, Rovi
A period drama/thriller about a surveyor and his fiancée who arrive in a remote Malaysian trading post and encounter a closed-fisted ivory trader and her ill-meaning family.
A view of high society through the desires and love between three people.