A doomsday virus of madness and death has destoyed the world’s adult population. Only the young survive. They watch in horror as their parents go mad and die. Haunted by terrifying memories, they fight for life in a bleak wasteland. Gangs of teens and outlaw children roam the scarred landscape. Sisters Evie and Fran keep to themselves, two outsiders gathering food and moving from town to town.
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Lord of Tears tells the story of James Findlay, a school teacher plagued by recurring nightmares of a mysterious and unsettling entity. Suspecting that his visions are linked to a dark incident in his past, James returns to his childhood home, a notorious mansion in the Scottish Highlands, where he uncovers the disturbing truth behind his dreams, and must fight to survive the brutal consequences of his curiosity.
In this “lost slasher film from 1978,” a masked killer wages an unrelenting spree of murder, cannibalism, and necrophilia. But when his tortured past comes back to haunt him, he plunges to even greater depths of madness and depravity, consuming the lives of a young woman and those she holds dear.
On the way to California, a family has the misfortune to have their car break down in an area closed to the public, and inhabited by violent savages ready to attack.
A band of students comes to celebrate the New Year in an old manor house isolated from everything. But soon after their arrival, strange events disrupt the atmosphere, before the party turns squarely to the nightmare …
Russel Brody, a one-time successful playwright, works diligently on a follow-up play that could land him back in the spotlight he so early craves. With a baby on the way, however, and a strained marriage, stress and frustration take center stage. When his wife accidentally stumbles down the stairs and dies from her injuries, Brody’s mental state goes from bad to one of utter despair. In a bid to help his friend regain his sanity, Brody’s co-writer David Stanley suggests he revisits Lucy, his former mistress. The ghost of Brody’s dead wife awakens to the sordid details of his unfaithfulness, enraging her supernatural spirit to haunt him in every horrifying way imaginable.
Two Egyptologists, Professor Fuchs and Corbeck, are instrumental in unleashing unmitigated horror by bringing back to England the mummified body of Tara, the Egyptian Queen of Darkness. Fuchs’s daughter becomes involved in a series of macabre and terrifying incidents, powerless against the forces of darkness, directed by Corbeck, that are taking possession of her body and soul to fulfill the ancient prophesy that Queen Tara will be resurrected to continue her reign of unspeakable evil.
A woman named Amanda lies stricken, far from home. A young boy named David questions her, trying to make her remember. She’s not his mother, he’s not her son. As her time is running out, he helps her unravel a powerful, haunting story of obsessive jealousy, an invisible danger, and the power of a mother’s love for her child.
A powerful spirit that had never seen the face of earth, starts to threaten the life of a six year old girl who is “speaking impaired” and also her family. It is up to “Annamma” (The only Demonologist in India) to rescue the family by finding out the real intention behind this spirit and its history.
When the daughter of the town’s new priest goes missing during the harvest festival, a desperate search begins, uncovering the town’s dark history and resurfacing tales of a mysterious, malevolent spirit that demands sacrifice.
