Set in the early ’80s and ’90s in Gujarat, India, ‘Raees’ is a fictitious story of a crime lord named Raees, who builds an entire empire from scratch, and a police officer who is determined to bring him down.
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In the early 1960s, teenager Adam Stafford (Cameron Bright) becomes obsessed with his new neighbor, Catherine Caswell (Gretchen Mol), a divorcée and free spirit. Stafford spies on Caswell as she meets with strange men, and, despite the warnings of his conservative parents, he begins working for her as a gardener. Amid rumors of her affair with President Kennedy, the two become close, but political intrigue surrounding her acquaintances soon infringes on their friendship.
Childhood friends Tetsuo and Kaneda are pulled into the post-apocalyptic underworld of Neo-Tokyo and forced to fight for their very survival. Kaneda is a bike gang leader, and Tetsuo is a member of a tough motorcycle crew who becomes involved in a covert government project called Akira. But a bloody battle ensues when Kaneda sets out to save his friend.
We are in the year 2001, a temporary ceasefire brings a much-needed break to a small war-torn village in Northern Nepal, bringing much joy among the residents. Prakash and Kiran, two young close friends, are also starting to feel the change in the air. Though they are divided by caste and social creed, they remain inseparable, and start raising a hen given to Prakash by his sister, with hopes to save money by selling her eggs. However, the hen goes missing. To find it, they embark on a journey, innocently unaware of the tyranny brought by the fragile ceasefire.
Based on André Carl van der Merwe’s book, Moffie (a derogatory Afrikaans term for a gay man) follows the story of Nicholas van der Swart: from a very young age, he realises he is different. Try as he may, he cannot live up to the macho image expected of him by his family, by his heritage. At the age of 19 he is conscripted into the South African army and finds his every sensibility offended by a system close to its demise, and yet still in full force. Set during the South African border war against communism, this is a long overdue story about the emotional and physical suffering endured by countless young men.
When her boyfriend dumps Emily, a spontaneous woman in her 30s, she persuades her ultra-cautious mom to accompany her on a vacation to Ecuador. When these two very different women are trapped on this wild journey, their bond as mother and daughter is tested and strengthened while they attempt to navigate the jungle and escape.
Byung-du is a 29-year-old career criminal, working for the middle-rank enforcer Sang-chul. Burdened with a terminally ill mother and taking care of younger siblings, Byung-du is feeling financial pressure as a substitute patriarch. When the big boss President Hwang is cornered by a corrupt prosecutor, Byung-du volunteers for a whack job and wins the big man’s trust.
American corporations are using the North American Free Trade Agreement by opening large maquiladoras right across the United States–Mexico border. The maquiladoras hire mostly Mexican women to work long hours for little money in order to produce mass quantity products. Lauren Adrian, an impassioned American news reporter for the Chicago Sentinel wants to be assigned to the Iraq front-lines to cover the war. Instead, her editor George Morgan assigns her to investigate a series of slayings involving young maquiladora factory women in a Mexican bordertown.
Every day for divorced (Wendi McLendon-Covey) is like the movie Groundhog Day – mundane and every day just like the previous. But when new prisoner Casey White (Rossif Sutherland) is brought to her facility, the two develop a secret infatuation. Vicky gives Casey special attention, believing he’s the only man to see her the way she wants to be seen. But when Casey’s inevitable transfer to a lengthy prison sentence approaches, Vicky decides to take desperate action. Risking everything, Vicky manages to break Casey out of jail and takes him on the run, eluding authorities on an eleven-day dash for freedom. For Vicky, even the probable tragedy ahead of them is worth the chance to live life fully once more.
