Record store clerk Nick Brady begins to experience strange visions from an entity he calls VALIS that cause him to uproot his family and move to Los Angeles where he becomes a successful music company executive. Nick finds himself drawn into a dangerous political-mystical conspiracy of cosmic proportions.
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Akaash Vani is a romance film directed by Luv Ranjan, and produced by Kumar Mangat Pathak and Abhishek Pathak under the banner Wide Frame Pictures. After the cult hit Pyaar Ka Punchnama, AkaashVani is the second film from this producer-director duo.
Nicaragua, today. Eleven-year-old María lives with her mother Lilibeth on the edge of an immense rubbish dump. Their future depends on selling a litter of purebred puppies to a local gang member. When the deal falls through, Lilibeth has to move to the outskirts of the city and leave María to work at a recycling factory. The days go by with no sign of her mother’s return. María feels abandoned, confused and angry. One night she meets Tadeo, a kind and romantic boy determined to help her find her mother.
Akira and Hiroshi are two lowlives who work at a pachinko parlour. Hiroshi is a ladies’ man but always loses at pachinko. Akira is a virgin at 25 but always wins. Hiroshi tries to get Akira laid with little success but things change when Akira is informed of a 88 million yen inheritance. But only if he can get married.
Best friends Samantha and Kristina go their separate ways for the first time when Kristina gets into the hottest sorority on campus. But Kristina realizes this is just the beginning, and her life becomes a nightmare when Kristina is murdered and Samantha finds herself as a potential next target.
A story about a seemingly unlikely couple who cross paths under life-threatening circumstances as though they are destined not only to meet but to save each other’s lives. Not once, but twice.
Quickie-mart employee Melissa and paraplegic Richie are very much in love. Supported only by Melissa’s small hourly wage, they are nevertheless thrilled to learn that Melissa is pregnant. Then their situation deteriorates, and their tenuous financial situation threatens to bring their happy life crashing down.
An overstressed American businessman and a French chambermaid make a connection at an airport hotel in Paris.
Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.
Stanley, an aging fast food worker, prepares to work his final graveyard shift after 38 years. When he’s asked to train his replacement, Jevon, Stanley’s weekend takes an unexpected turn.
