A woman named Justine is (willingly) used and abused by all manner of perverts, freaks and sexual deviants.

An affair between the second in line to Britain’s throne (Franco) and the princess of the feuding Irish (Myles) spells doom for the young lovers.

After her mother decided that the eighteen-year-old mentally disabled Dora no longer has to take psychotherapeutic drugs, the young woman begins to blossom. The sedated teenager was never a problem for her surroundings – but new challenges arise when the pleasure-loving young woman discovers her sexuality. The family is threatened to fall apart.

A day in the life of a Chicago cab driver is examined as he picks up fares from the good and bad parts of the city and emotionally connects to many of his passengers.

The young Harold lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences don’t matter and they become best friends and love each other.

The blood-soaked land of Kolar Gold Fields (KGF) has a new overlord now – Rocky, whose name strikes fear in the heart of his foes. His allies look up to Rocky as their Savior, the government sees him as a threat to law and order; enemies are clamoring for revenge and conspiring for his downfall. Bloodier battles and darker days await as Rocky continues on his quest for unchallenged supremacy.

Seventeen talented Australian directors from diverse artistic disciplines each create a chapter of the hauntingly beautiful novel by multi award-winning author Tim Winton. The linking and overlapping stories explore the extraordinary turning points in ordinary people’s lives in a stunning portrait of a small coastal community. As characters face second thoughts and regret, relationships irretrievably alter, resolves are made or broken, and lives change direction forever.

It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.

The film takes place in Tel Aviv, much of it in a fictitious local pub called Barbie, a satirical nickname for a famous Israeli mental health institution. The pub’s name hints at the characters and the events which occur in the pub and which befall its owner (Daliah), the employees and customers. The plot unfolds with a streak of violence which takes a surprising turn.

David, a struggling comedy writer fresh off from breaking up with his boyfriend, moves from New York City to Sacramento to help his sick mother. Living with his conservative father and much-younger sisters for the first time in ten years, he feels like a stranger in his childhood home. As his mother’s health declines, David frantically tries to extract meaning from this horrible experience and convince everyone (including himself) that he’s “doing okay.”

When a former Special Ops commando visits Pompeii, his wife and daughter are trapped as Mt. Vesuvius erupts with massive force. While his family fights to survive the deadly onslaught of heat and lava, he enlists his former teammates in a daring operation beneath the ruins of the city of Pompeii.

A French man spies on a lovely younger woman across the way. When he’s spotted by the woman shortly after being questioned by the police about a local murder, the man’s simple life becomes more complicated.