Director Julian Schnabel illustrates the portrait of his friend, the first African-American pop artist Jean-Michel Basquiat who unfortunately died at a young age and just as he was beginning to make a name for himself in the art world. Alongside the biography of Basquiat are the artists and the art scene from early 1980’s New York.

When a hateful, vitriolic basement dwelling podcaster goes viral, he garners an audience of violent sycophants and incensed enemies – and faces deadly backlash when he’s doxxed by activist hackers.

Megan is an all-American girl. A cheerleader. She has a boyfriend. But Megan doesn’t like kissing her boyfriend very much. And she’s pretty touchy with her cheerleader friends. Her conservative parents worry that she must be a lesbian and send her off to “sexual redirection” school, where she must learn how to be straight.

A newly engaged couple becomes intrigued by the young stranger who moves in next door. He’s handsome, friendly and very helpful, but he’s no stranger.

Jack has finally managed to propose to his infertile girlfriend when his life is turned upside down by the arrival of an old one-night stand that introduces him to his seven year old son.

Set against a backdrop of a turbulent, war-torn Ireland in the early 1920’s, this is a story of three people and the unfolding events from a crucial time in their extradionary and tragic lives.

Orthodox tells the story of Benjamin, an Orthodox Jewish man who alienated himself from his community by becoming a boxer. When his life took a wrong turn he ended up in prison, losing his wife and children in the process. Now he is out and desperate to reintegrate, he finds that acceptance harder than he ever imagined. He turns back to his old boxing coach thinking there he has an ally, but a truth about the past emerges which leaves him even more isolated than he once thought. Benjamin must make a choice which will effect not just his own future but the life of a young Jewish boy whose life he can relate to. He is determined not to allow history to repeat itself.

Emily Walters is an American widow living a peaceful, uneventful existence in the idyllic Hampstead Village of London, when she meets a local recluse, Donald Horner. For 17 years, Donald has lived—wildly yet peacefully—in a ramshackle hut near the edge of the forest. When Emily learns his home is the target of developers who will stop at nothing to remove him, saving Donald and his property becomes her personal mission. Despite his gruff exterior and polite refusals for help, Emily is drawn to him—as he is to her—and what begins as a charitable cause evolves into a relationship that will grow even as the bulldozers close in.

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It’s Hollywood, 1958. Small town beauty queen and devout Baptist virgin Marla Mabrey, under contract to the infamous Howard Hughes, arrives in Los Angeles. At the airport, she meets her driver Frank Forbes, who is engaged to be married to his seventh grade sweetheart and is a deeply religious Methodist. Their instant attraction not only puts their religious convictions to the test, but also defies Hughes’ number one rule: No employee is allowed to have any relationship whatsoever with a contract actress. Hughes’ behavior intersects with Marla and Frank in very separate and unexpected ways, and as they are drawn deeper into his bizarre world, their values are challenged and their lives are changed.

A reporter (Bridget Fonda) gets the scoop on the first ever human cloning, but the furor surrounding the event jeopardizes the baby’s birth and the career of the doctor (Mary Beth Hurt) responsible for creating the clone.

Risking his life, Luke ventures to Rome to visit Paul — the apostle who’s bound in chains and held captive in Nero’s darkest and bleakest prison cell. Haunted by the shadows of his past misdeeds, Paul wonders if he’s been forgotten as he awaits his grisly execution. Before Paul’s death, Luke resolves to write another book that details the birth of what will come to be known as the church.