On a rainy evening, 19-year-old university student Fumi Saeki happens to meet 9-year-old Sarasa Kanai in the park. Kanai Sarasa is soaking wet. She is separated from her parents and lives with her aunt, but she tells Saeki Fumi that she doesn’t want to go back to her aunt. Saeki Fumi takes Kanai Sarasa to his apartment and they live together for the next 2 months. Saeki Fumi is then arrested for kidnapping. He is labeled as a dangerous kidnapper and Kanai Sarasa is labeled as a poor victim. 15 years later, Kanai Sarasa and Saeki Fumi happen to meet each other.

In 140 AD, twenty years after the unexplained disappearance of the entire Ninth Legion in the mountains of Scotland, young centurion Marcus Aquila (Tatum) arrives from Rome to solve the mystery and restore the reputation of his father, the commander of the Ninth. Accompanied only by his British slave Esca (Bell), Marcus sets out across Hadrian’s Wall into the uncharted highlands of Caledonia – to confront its savage tribes, make peace with his father’s memory, and retrieve the lost legion’s golden emblem, the Eagle of the Ninth.

Hot jewels from London make their way to New York, where they are stolen by racketeer Ed Dexter, who hides them with the help of his vivacious girlfriend, Vivian Palmer. Federal agent Ross McBride goes undercover to infiltrate the gang and, suspecting Vivian can lead him to the jewels, comes to her aid when she is chased by a rival gang. The two flee to the Midwest with both gangs in pursuit, but Vivian is not as gullible as Ross thinks.

A small European town, where sisters Ayia and Mirra live, gets struck down by an unknown disease which takes many lives. Following their mother’s death, the younger sister falls ill. Having realized that conventional medicine is useless in the face of the sister’s disease, Ayia seeks help from Father Herman, a parish priest and a close family friend. In his house she finds books that are very far from the conventional religion. She gets to know that only penetration into Mirra’s sick subconscious mind and discovery of the true cause of her disease will give her a chance to save her sister. Ayia is ready to go through this terrifying ritual, dive into the depths of the subconscious mind, and face the demons residing there.

A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy

Based on real-life events, Girl In the Closet tells the story of 10 year old Cameron, who, after her mother suffered an aneurysm, was adopted by her Aunt Mia, who already had a husband and daughter of her own. Soon after arriving in her new home, Cameron started hearing strange, ghostly voices at night coming from the basement’s locked door. Little Cameron would soon discover what was actually behind that door, people chained to the wall, innocent victims of her Aunt’s schemes to enrich herself by cashing their benefit checks. It wasn’t long before Cameron was demoted down into the basement herself, where she would stay for the next ten years while police thought she was missing.

An unlikely friendship if forged when a small-time drug dealer and a neglected nine-year-old girl are forced to go on the run together.

Bored farmer’s daughter sets out to make it in the big city. She gets mixed up with freaks, perverts and degenerates and winds up a stripper in New Orleans.

While searching for their estranged mother, two beautiful sisters, Dagmar and Ursula, arrive at a luxurious seaside hotel. At the same time, a mysterious killer starts murdering promiscuous women in the area.

Tora-san, an itinerant peddler who is thrown out of his father’s house twenty years before but reconnects with his aunt, uncle and sister Sakura. Tora wreaks some havoc in their lives, like getting drunk and silly at a marriage meeting and ruining Sakura’s chance to marry someone, as well as just being a real pain to those around him. There is a sentimental side to him also, and the best way to describe him is that he grows on you.

Jeanne lives in Paris and believes she is the reincarnation of Don Juan. She visits a priest and tells him she has killed a man. He comes to her elegant flat – her father has died leaving her rich – and she tells the priest stories about men she has seduced. The seduction is easy, she tells him, it’s destruction that takes planning. We watch her with an upright elected official, a wealthy boor, and a folk singer. She describes herself as a spider. Her friend Léporella tries to be Jeanne’s conscience. What does Jeanne want?

Testament of Youth is a powerful story of love, war and remembrance, based on the First World War memoir by Vera Brittain, which has become the classic testimony of that war from a woman’s point of view. A searing journey from youthful hopes and dreams to the edge of despair and back again, it’s a film about young love, the futility of war and how to make sense of the darkest times.