THE S FROM HELL is a short documentary-cum-horror film about the scariest corporate symbol in history – The 1964 Screen Gems logo, aka ‘The S From Hell.’ Built around interviews with survivors still traumatized from their childhood exposure to the logo after shows like Bewitched or The Monkees, the film brings their stories to life with animation, found footage, and dramatic reenactments.

An intimate documentary delving into Rian Johnson’s process as he comes in as a director new to the Star Wars universe. A fan since childhood, he sets out to make the most powerful Star Wars movie he can. Navigating the mammoth production, the scale of which he’s never directed before, we meet his cast and crew, see their individual challenges in bringing the film together, say goodbye to Carrie Fisher, and explore the significance of Rian’s more surprising decisions. The documentary gives you a view of what it really was like to make The Last Jedi. As the team strive to do their best, what shines through is their passion and how memorable an experience it is for Rian as director.

Donald Trump has become a beloved cult figure for many Russians. The short film uses found footage, fake news and state-controlled political programming to reveal the variety of ways Trump’s newfound Russian supporters express their devotion.

In 1976, reggae icon Bob Marley survived an assassination attempt as rival political groups battled in Jamaica. But who exactly was responsible?

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In Florida, parents can hire Wrinkles the Clown to scare their misbehaving children.

American Courtesans is a feature documentary that takes you into the lives of American Sex Workers. These women candidly discuss what brought them to the doors of the sex trade, what they found when they got there and why they stayed. Follow eleven Sex Workers through the streets, massage parlors, brothels and strip clubs to New York high rises and the bell captains in Vegas. This is a story, a different kind of American Story, that will leave you speechless.

An alarmingly disproportionate number of Black women are failed every year by the U.S. maternal health system. Shamony Gibson and Amber Rose Isaac were vibrant, excited mothers-to-be whose deaths due to childbirth complications were preventable. Now, their partners and families are determined to sound a rallying cry around this chilling yet largely ignored crisis.

(In)Visible Portraits shatters the too-often invisible otherizing of Black women in America and reclaims the true narrative as told in their own words.

This essay film tells of the ocean as a place of yearning, of the world of giant container ships and their crews, and the women that wait for them in ports and drinking holes. The protagonists’ thoughts are rendered as inner monologues in voiceover, all set to striking documentary images. Sandy represents all the women willing to give themselves to strange men, the perfect complement for the desire of all those roaming restlessly from port to port. The film has an affectionate eye for this eccentric former prostitute, for her body marked by life, lust, and the men she’s met, as well as for her free, yet romantic idea of love. She is a siren and Penelope in equal measure.

From the 1930’s to the 1970’s, pretty well every comedian or comic you might see on TV or the movies was Jewish. Jews came to dominate the world of western‐society comedy on radio, stage and screen alike.Why did Jews dominate comedy in this period? And why did that domination end? Were Jews just funnier back then? And if so, did that extend to your average Jew on the street? In this 90 minute documentary acclaimed director Alan Zweig will examine these questions and many others in this exploration of 20th century humour, cultural decay, and a search for a missing heritage.

Using the book ‘Fragments’, which collects Marilyn Monroe’s poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.