An intimate look into the life of icon Quincy Jones. A unique force in music and popular culture for 70 years, Jones has transcended racial and cultural boundaries; his story is inextricably woven into the fabric of America.
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The 18th-century French marquis recalls his sadomasochistic experiments and goes to jail for lewd behavior.
Filmmaker Stanley Nelson’s look back at the 40 years he spent summering at Oak Bluffs, a black-oriented resort community on Martha’s Vineyard.
In the slums of Kampala, two men from opposite sides of the world come together over a shared love for America’s greatest hero: Rambo. Against all odds, the two make their own action movies with no money — and bring joy to millions of people on the internet. Welcome to “Wakaliwood.” Through comedy and kung-fu, “Once Upon a Time in Uganda” chronicles the unlikely friendship between Isaac Nabwana, a director hailed as “Africa’s Tarantino,” and Alan Hofmanis, a film programmer from New York. While Isaac tirelessly makes feature after feature, Alan brings his films to international audiences. But tensions flare as Isaac’s star rises — threatening their partnership and all of Wakaliwood.
Once-not long ago-a small Egyptian police band arrived in Israel. Not many remember this… It wasn’t that important. A band comprised of members of the Egyptian police force head to Israel to play at the inaugural ceremony of an Arab arts center, only to find themselves lost in the wrong town.
In Chile’s Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet’s regime.
The rich young man Teddy Anker invests his money in the theater at the beginning of the 1920s. Whatever he does becomes a success. He falls in love with a dancer, Karin. He decides to put up a show with Karin as the leading lady, but for the first time one of his shows becomes an economic disaster.
Alexandre Daigle was a fairytale solution to all of the Ottawa Senators’ many problems, a one-man dream come true for a team and a city that desperately needed goals and fans. The expectations were overwhelming – too much for Daigle to overcome. Now, decades later, following a turbulent career on the ice, Daigle reflects on how he steered the gap between people’s projections and his everyday existence, revealing the pressure and turmoil of not living up to the impossible hype.
Professor Richard Fortey delves into the fascinating and normally-hidden kingdom of fungi. From their spectacular birth, through their secretive underground life to their final explosive death, Richard reveals a remarkable world that few of us understand or even realise exists – yet all life on Earth depends on it.
“Downton Abbey” star Elizabeth McGovern narrates an intimate look at the life and reign of Queen Elizabeth II as we celebrate Her Majesty’s 90th birthday.
Two versions of the American dream now stand in sharp contrast. One views the money you earned as yours and best allocated by you; the other believes that an elite in Washington knows best how to allocate your wealth. One champions the traditional American dream, which has played out millions of times through generations of Americans, of improving one’s lot in life and even daring to dream and build big. The other holds that there is no end to the “good” the government can do by taking and spending other peoples’ money in an ever-burgeoning list of programs. The documentary film I Want Your Money exposes the high cost in lost freedom and in lost opportunity to support a Leviathan-like bureaucratic state.
Black Californian teenager, Nastasya Generalova, was raised by her single white Russian mother, Olga who enrolled Nastasya in rhythmic gymnastics when she was four years old as a way for her to connect to Olga’s homeland. This film looks at Nastasya’s personal journey of expression as the only black girl in Team USA, as well as her relationship with her mother in the stressful lead up to Tokyo Olympics qualification. The audience is invited into Nastasya’s world to experience what it feels like to be the only black girl in the building.
