This portrait of Hilary Knight, the artist behind the iconic Eloise books, sees him reflecting on his life as an illustrator and his relationship to his most successful work.

Steven Okazaki presents a deeply moving look at the painful legacy of the first — and hopefully last — uses of nuclear weapons in war. Featuring interviews with fourteen atomic bomb survivors – many who have never spoken publicly before – and four Americans intimately involved in the bombings, White Light/Black Rain provides a detailed exploration of the bombings and their aftermath.

Randy Rhoads’ guitar riffs re-shaped rock ‘n roll and raised the stakes for guitarists around the world. Known primarily as the lead guitarist for Ozzy Osbourne and for his groundbreaking guitar work on the albums “Blizzard of Ozz” and “Diary of a Madman”, Randy spent most of his life playing in a small band known at the time, Quiet Riot. After leaving Quiet Riot to play, record and tour with Ozzy, Randy died at the young age of 25 in a tragic plane crash in Florida. His body died that day, but his soul and music live on forever.

The Only explores the highest triumphs and darkest defeats throughout the extraordinary life of U.S. Soccer Hall of Fame goalkeeper Briana Scurry. The documentary explores the inspirational glory and deeply dark corners of a Hall of Fame goalkeeper who stood alone on the field as the only Black starter and the only openly gay player. While celebrating the historic legacy of Scurry’s career, including two Olympic gold medals and a penalty save to help the U.S. win the 1999 Women’s World Cup, the film also tells the story of how she overcame racism and homophobia at the time of her greatest triumphs before later finding herself on the edge of suicide following a career-ending concussion.

In the follow up to Close Encounters of the Fifth Kind Dr. Steven Greer goes deeper into the practice of CE-5 with Investigative Filmmaker Serena DC. Join Dr Greer as he reveals how to have your very own Close Encounter of the Fifth Kind.

Crump’s mission to raise the value of Black life as the civil lawyer for the families of George Floyd, Breonna Taylor, Black farmers and banking while Black victims, Crump challenges America to come to terms with what it owes his clients.

After the Robb Elementary school shooting in Texas, local Uvalde Leader-News journalists are left to report on the fallout – and on one of their staff members. Reporter Kimberly Rubio rises to national prominence as an advocate for gun reform after her ten-year-old daughter, Lexi, is killed in the shooting. Through the journalists’ reporting, we witness the social fabric of this small Texas town unravel as Kimberly and other victims’ families search for accountability from law enforcement and local leaders. The documentary also shines a light on the critical role of community journalism, at a time when local newspapers are folding rapidly across the country.

The Yuanhai Migrants Children’s School, which serves children of migrant laborers in Beijing, is shut down by city officials for reasons never made clear. The students and teachers manage to continue class, first by sneaking into the shuttered campus, then moving inside a ruined factory, and even setting up class on the street. Following the personal journeys of students as they battle bureaucratic corruption for their right to learn, Cui exposes a crisis of social values in the wake of China’s economic reforms.

Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.

Tracing the history of blue jeans around the globe.

One of Hong Kong’s most influential filmmakers, Ann Hui, becomes a “star” for the first time in Man Lim-chung’s directorial debut. A forerunner of the New Wave, Hui’s tumultuous, forty-year career is an unequivocal testimony to her unyielding dedication to filmmaking, and her expedition into the metamorphic city. This biopic probes into the acclaimed director’s idiosyncratic world, where we witness her rashness and goofiness, as well as her humanistic concerns for the everyday nobodies which make her films so moving.

When “Take On Me” reached nr 1 on Billboard in the US in 1985, the dream came true. Or did it? The band was not prepared for what the success could bring, including tension between the three band members.