After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, Anna Muylaert turns her eye on the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.
You May Also Like
American artist Winslow Homer’s illustrations for Harpers’ Weekly magazine earned high praise for their honest portrayal of the Civil War. Discouraged by the horrors he witnessed, Homer abandons his post and heads to the quiet of Houghton Farm to paint. His peace is soon disturbed by two curious teenagers who are intrigued by the cantankerous artist. Unable to shake them off, he asks them to be models. As they pose, Gabe and Fee become fast friends telling white lies as they each hide how painfully the war has shattered their own families. As Homer shares his personal experiences, he urges them to say goodbye to their ghosts and to move forward with their lives. Homer realizes the value of their friendship, as he works on a new painting at the schoolhouse, “Snap the Whip.”
The Almeida Theatre makes its live screening debut with an explosive new adaptation of Richard III, directed by Almeida Artistic Director Rupert Goold with Ralph Fiennes as Shakespeare’s most notorious villain and Vanessa Redgrave as Queen Margaret. War-torn England is reeling after years of bitter conflict. King Edward is ailing, and as political unrest begins to stir once more, Edward’s brother Richard – vicious in war, despised in peacetime – awaits the opportunity to seize his brother’s crown. Through the malevolent Richard, Shakespeare examines the all-consuming nature of the desire for power amid a society riddled by conflict. Olivier-winning director Rupert Goold’s (Macbeth, King Charles III) searing new production hones a microscopic focus on the mythology surrounding a monarch whose machinations are inextricably woven into the fabric of British history.
Pretty Boys is a romantic comedy following Grey, a flamboyant and charming twink, and his longtime best friend, Jonas, a heartthrob with a masculine appeal.
A group of people meet for the first time in a long time and play a game that reveals each other’s secrets.
After the death of their loved ones in a tragic plane crash, Harrison Ford and Kristin Scott Thomas find each other’s keys in each other’s loved ones’ possessions and realize that the two were having an affair and they must figure out all the details.
Sammy is involved with gangsters to save his relative from a problem so he calls Dragon Hung from America to help him.
Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.
In a Naples suspended between magic and superstition, madness and rationality, a mystery envelops the existence of Adriana (Giovanna Mezzogiorno), overwhelmed by a sudden love and a violent crime.
Handsome, unflappable U.S. Congressman Stephen Collins is the future of his political party: an honorable appointee who serves as the chairman of a committee overseeing defense spending. All eyes are upon the rising star to be his party’s contender for the upcoming presidential race. Until his research assistant/mistress is brutally murdered and buried secrets come tumbling out.
Inmates at a women’s mental asylum stage a theatrical production of Herman Melville’s ‘Moby Dick.’