Set in post-colonial India, Qissa tells the story of Umber Singh, a Sikh who is forced to flee his village due to ethnic cleansing at the time of partition in 1947. Umber decides to fight fate and builds a new home for his family. When Umber marries his youngest child Kanwar to Neeli, a girl of lower caste, the family is faced with the truth of their identities; as individual ambitions and destinies collide in a struggle with eternity.
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The culturally isolated, nomadic Seburi people of western Japan are the subject of this tragedy about a few of the community’s members who especially experience difficulties as modern Japan encroaches on their world. The setting is World War II, and conflicts have already arisen when the military police come to take Seburi men away into the army. Still following their own customs that can be harsh at times, and are particularly cruel to women (women must give birth alone and unaided, a woman’s adultery is punished by burying her up to her neck in the earth and then leaving her for days), the Seburi are mainly treated with fear and animosity by the non-Seburi townspeople of the region. Along with the hardships arising from cultural clashes, nature’s own vagaries present other challenges to the Seburi — who still lived in tents until the 1950s. Winter avalanches and snowstorms cause as much havoc as the tensions engendered by the slow encroachment of the modern world.
Jamie (Taylor Olson) works a wood processor, clear-cutting for pulp in small-town Nova Scotia. At the end of each shift, he walks through the destruction he has created looking for injured animals and rescues those he can. Adapted from a play by Nova Scotian author Catherine Banks, Bone Cage is an impressive first feature from Halifax actor/filmmaker Taylor Olson that sensitively excavates the tragedy of how young people in rural communities, employed in the destruction of their environment, treat the people they love at the end of their shift.
The greatest feeling in the world is when you learn to love! Follow the stories of seven everyday people as they experience laughter, life and matters of the heart. The all-star cast (Malinda Williams, Tatyana Ali, Keith Robinson, Lynn Whitfield and Darius McCrary) will take you through the good, the bad and the ugly of the many faces of love. Fall head over heels for this fresh, honest look at relationships and see what a difference a day makes.
While participating in a rehabilitation program training wild mustangs, a convict at first struggles to connect with the horses and his fellow inmates, but he learns to confront his violent past as he soothes an especially feisty horse.
A patrol officer gets into an accident and his soul gets separated from his body. Desperate to solve the case and return to his beloved girlfriend, but is at his wits’ end as a wandering spirit. Unexpectedly he discovers someone who can see him.
Long ago in the Iron Age a shadow loomed over a lonely village. For generations the village youths are stolen from their families and delivered as sacrifice to a mythical beast – the Minotaur, that dwells beneath a great palace. Theo, haunted by the loss of his love in an earlier sacrifice is convinced that the beast isn’t real and that his girl still lives as a slave within the palace. His father Cyrnan, the village leader, tries to reason with Theo not to go but Theo is driven by blind rage. He devises a plan and is taken with the other youths who are dragged screaming from their families.
Having lost his job and the company he built, a 36-year-old man at rock bottom goes on a wistful solo trip to Japan in search of the love he left behind.
Many years ago, on a faraway island, there lived a Sun Duck who protected his flock from evil powers. The Sun Duck had his loyal guardians who made sure the Sun evenly spread its energy on their flourishing land. The bliss continued until an Evil Witch learned of the Sun Duck’s superpowers. She seized the guardians and stole the Sun Duck away for the only sake every living woman would understand: eternal youth and mesmerizing beauty. Today, nobody believes in old legends. Mandarin ducks peacefully reside on their island and abide by the law that prescribes “no flying on the island” and “never leave the island”. The Emperor is the only one who knows that the legend is true and that the next generation Sun Duck has been born. He keeps it in strict secrecy, but the Witch also knows that the legend is true and she is coming back for her next victim.
As Cotopaxi spews ash, issuing an eerie penumbra over Quito, a young woman confronts dormant familial conflicts. Desperate for a place to store her things as volcanic disaster looms, Caridad turns to her long-estranged father Galo for help. Galo abandoned Caridad’s mother long ago and is eager to make amends, but questions concerning the nature of his transgressions linger, straining communication between father and daughter and casting grave doubts over the possibility of reconciliation.
