Mikel, a young cook, meets with his father Juan, who had been missing for 30 years. While trying to keep his restaurant afloat, Mikel has to take care of crazed Juan, a former cook who suffers from a mental condition that prevents him from recognizing neither the aforementioned time gap nor his son Mikel.

In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane’s country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who’s returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert’s dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who’s about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.

A restaurant employee wanted for murder contracts Ebola by raping a woman in South Africa and starts an outbreak there and in Hong Kong when he returns home.

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In the small village of Rátót, every male is called Béla. When a woman gives birth to her child, she names him Józsi…

A long lost music producer finds a singer-songwriter right about the moment he has given up all hope on life.

A group of laid-off workers bribed into working one last night discover that processing the last of their “inventory” will lead to cataclysmic consequences.

Commander Steve Rogers crash-lands on a planet inhabited solely by women. All of the men were killed in a mining accident some twenty years before. The town where he wakes up is straight out of the old West. Both the sheriff and the mayor of the town take an immediate liking to Steve and each tries to claim him for themselves. The local bar maid is also interested but not quite as pushy as the first two. It looks like our man Steve may be trapped on a planet of beautiful women. But as usual in these things, you need to be careful what you wish for since you might get it…

The story of Angela -an ambitious, image-conscious businesswoman working for over-demanding boss Mary. When Angela becomes unexpectedly pregnant at the peak of her career, her life with her divorce attorney husband, Curtis, is turned upside-down.

Ilie, a small-town police chief, wants to build a modest comfortable life for himself, but ends up making the wrong choices. Middle-aged and alienated, he feels the need to be a part of something – to build an orchard, even a home. Although dubious things happen in the village, Ilie only sees what suits him. The moment he gets involved in the village marks the beginning of his collapse. In a vacuum of solutions, he tries to be what he has never been before: the justice seeker who arrests everyone guilty.

Animation and activism unite in this multimedia spoken-word response to police brutality and racial injustice.

If Columbia could make an acceptable movie star out of opera-diva Grace Moore, then RKO Radio could do the same with Lily Pons. At least that was producer Pandro S. Berman’s reasoning when he cast Pons in the 1935 musical romance I Dream too Much. The actress plays Annette, a rural French musical student who marries struggling American composer Jonathan (Henry Fonda). Possessed of a splendid singing voice, our heroine rises to fame on the opera stage, while poor Jonathan continues struggling, supporting himself as a tour guide. Annette eventually saves her marriage by transforming her husband’s “masterpiece,” a rather turgid modernistic opera, into a light-hearted musical comedy. Lucille Ball, who’d later co-star with Henry Fonda in The Big Street and Yours, Mine and Ours, has a funny minor role as a gum-snapping tourist. Though Lily Pons was at least 10 years older than Fonda, they make an attractive and believable screen couple, adding credibility to this somewhat contrived yarn