Danny Masterson (TV’s ‘That ’70s Show’) leads a hilarious ensemble cast in a tale about two hapless stoners who get involved in a scheme to rip off a shady character named Mr. Big after the duo sours on rehab.
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Jack, Steve and Goat are East-End Spivs. They spend their time wheeling and dealing wherever and whenever they can. It’s not until Jack and the others get involved with a guy called Villa, and they are landed with a big payday they have been waiting for, when they realise what a mess they are into. At the back of the lorry they have smuggled goods in, they find illegal immigrants. Most of them escape but they are left with 2 kids; a boy and a girl, and have to decide what to do with them… Are they going to look after them and feed them, clothe them, love them, etc. or are they going to leave them on the streets of East-End London?
An immature, newly unemployed comic must navigate the murky waters of adulthood after her fling with a graduate student results in an unplanned pregnancy.
When dignified Albert Donnelly runs for Governor, his team moves to keep his slow-witted and klutzy younger brother, Mike, out of the eye of the media. To baby-sit Mike, the campaign assigns sarcastic Steve, who gets the experience of a lifetime when he tries to take Mike out of town during the election.
From the land of early Peter Jackson comes another Braindead movie in bad taste. It’s the third day of shooting the low budget horror ‘Tonight They Come’ on location in the wilds of New Zealand. Director SMP is already beside himself having to work with a self-obsessed leading man and a bimbo actress when into his line of fire comes a new runner, wannabe screenwriter Wesley Pennington. Clearly an accident-prone nerd, Wesley nevertheless tries his best to fit in with the crazed cast and demented crew while falling head over heels for Susan, the set caterer. But something nasty has entered the local water supply and suddenly the zombie extras start acting like genuine members of the living dead, gore stunts looks even more authentic and actual severed limbs fly. Reel life turns real as Wesley attempts to save the day while ensuring his latest script will get made.
Since the end of their pirate radio station, life has been quiet for the Kurupt FM boys, but everything is about to change. News reaches them that one of their songs has been used on a popular game show in Japan. They’ve made it. Their music is reaching hundreds of thousands of people. It’s finally time for them to enjoy the fame and fortune that they’ve always known they deserved. Chabuddy G steps excitedly back into his management role as Grindah, Beats, Steves and Decoy begin their journey to international stardom – but is Japan really ready for Kurupt FM?
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Ambitious reporter Torchy Blane guides her policeman boyfriend to correctly pinpoint who shot the man she was interviewing.
With over 50 million annual online views of his original comedy, Ross Browne has emerged as one of comedy’s fastest rising stars in Europe – both on and off the stage. In his first solo filmed special, Ross enthrals a standing-room-only crowd at his native Cork Opera House. While the humour draws on his unique Irish wit and charm, his themes and style have truly universal appeal.
Fran walks into a piano bar for pizza. She comes back home with Joe, the piano player. Joe plans on winning $5,000 and leave Las Vegas. Fran waits for something else. Meanwhile, he moves in with her.
