After accidentally murdering her boyfriend, Debbie Dicky moves to a new town and meets three girls who invite her to a sleepover. The very same night there is a breakout at the local insane asylum where forty serial killers escape and head over to crash the party. However, the girls at the slumber party might not be as helpless as the killers think.
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The sheriff of a town plagued by an unstoppable killer Meets up with his nemesis one last time as a pair of survivors complicate matters for the worse. Who will be left standing and what will remain of their sanity?
Due to a botched robbery attempt, a ruthless Romanian barbarian is somehow resurrected in modern day New York and begins wreaking havoc on a small Manhattan art-house. Chaos ensues as the patrons of the establishment band together to fight for their lives. (IMDb)
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
The worst frat house on campus is the last stand against a zombie apocalypse
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Three women in a small village conceal dark secrets, including unholy alliances and a mysterious ingredient used in a popular curry restaurant.
Several years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, soon becoming the target of the dollmaker’s possessed creation, Annabelle.
Princess Obongo, the Goddess of Unspeakable Lust, uses dark powers to ensnare a hapless couple of yuppies, so that she can imbue them with evil and conquer the world.