THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.

Newlywed Monica is committed to a mental hospital for hallucinations, but soon finds out that her husband has a devious plan to steal her life, including her daughter.

When children start disappearing, a rebellious teen under house arrest starts to suspect that a legendary evil, a boogeyman known as the Cucuy, might be responsible.

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A group of kids survive an alien invasion hiding out in the woods, but suspicions of two new comers will tear them apart.

Two gangsters kidnap a psychic to find out where the man they murdered buried the loot.

A man becomes haunted by his past and is presented with a mysterious legacy that causes him re-think his current situation in life.

Gunned down in the snowy wilderness and desperate for shelter, Billy Cavanagh is taken in by kooky old lady Agnes, unaware that her isolated log cabin is surrounded by bloodthirsty skinless creatures hellbent on getting inside.

The New Wave of French horror cinema has arrived and at its vanguard is 14 year-old director Nathan Ambrosioni. Meredith Langston always longed to have children. She finally makes this happen when she adopts two young adolescent girls. However, her now idyllic world sours rapidly and dream veers to nightmare when she quickly finds that she is unable to cope with their increasingly strange behaviour. Desperate, she seeks the help of two journalists working for a local TV programme ‘SOS Adoption’. Unfortunately it is all for nothing, especially when the reporters discover that there is another presence in the house.

An Extraction Specialist and his team will go to extreme lengths to protect hard working American’s against the unknown enemies that live within it’s borders, but while maintaining the highest level of security to protect their families who are unaware of their true identities.

Six high schoolers stuck in a murderous time loop must find the scattered remains of an unknown victim to break the curse and finally see another day.

Drowning in debt, child support and bills all while white knuckling it through sobriety, Francis is coming undone. When his roommate, Shelly, goes missing, Francis is thrown headlong into her private world; a slip stream of money, violence and terrifying allegiances. As secrets are exposed and tensions mount, a search for Shelly devolves into striving for meaning in the face of oblivion.