Two policemen, one an old-timer, the other his volatile younger partner, find themselves suspended when a video of their strong-arm tactics becomes the media’s cause du jour. Low on cash and with no other options, these two embittered soldiers descend into the criminal underworld to gain their just due, but instead find far more than they wanted awaiting them in the shadows.

In the distant future, mankind lives on Mars, in cities that resemble those once found on Earth, protected from the alien atmosphere by dome-like force-fields. When a massive sandstorm breaks through the dome and destroys Mars New York, those in Mars Los Angeles must figure out how to stop the storm before it wipes them out next.

The city needs heroes. Darkness has settled over New York City as Shredder and his evil Foot Clan have an iron grip on everything from the police to the politicians. The future is grim until four unlikely outcast brothers rise from the sewers and discover their destiny as Teenage Mutant Ninja Turtles. The Turtles must work with fearless reporter April and her wise-cracking cameraman Vern Fenwick to save the city and unravel Shredder’s diabolical plan.

Adapted from Issue #1 of Frank Miller’s seminal 1986 comic series, filmmaker Wyatt Weed (“Shadowland,” “Four Color Eulogy”) offers his unofficial fan’s take on the Batman mythos. Following the death of Robin at the hands of the Joker, Bruce Wayne (Weed) hung up the cowl and cape 10 years ago. But now Gotham City is in the grip of a violent crime wave, and the venerable 55-year-old billionaire has to decide if the time is right for the Caped Crusader’s return. (This production is non-profit and is for entertainment purposes only. The production is in no way associated with DC Comics or Time Warner.)

Trained in clandestine combat from childhood, the Jinyiwei were masters of the 14 Blades; eight being for torture, five for killing, and the last blade reserved for suicide when a mission failed. An elite force of secret agents with a license to kill, the Jinyiwei devoted their lives and lethal prowess to the service of the Emperor alone. When the Imperial Court is taken over by evil eunuch Jia (Law Kar Ying), the best of the Jinyiwei, Qinglong (Donnie Yen) is assigned to steal a list identifying those still loyal to the Emperor. However unbeknownst to Qinglong, the Jinyiwei have fallen under the control of Jia, and during the mission Qinglong is betrayed and barely escapes with his life. Now as the most wanted man in the land, Qinglong must seek out and rally the loyalists to rise against Jia and restore the Emperor to power. In his way are the deadliest assassins in the land, his former brethren, the Jinyiwei.

This thrilling, allegorical drama follows the intricately interwoven lives of three people, delving into concepts of good and evil, and complex emotions. Ragini re-locates to distant Lal Matti along with her Superintendent of Police husband, Dev Pratap Sharma, in order to enable him to apprehend a bandit, Beera Munda. Shortly thereafter her life is turned upside down when she is abducted by Beera and held captive. It is during this captivity that she is forced to experience myriad complex emotions, with her life in danger of ending within 14 hours. However, she also attempts to the real reason behind her abduction. What will she discover? How will justice be served? Will Ragini’s life be spared, and if so, will she be happy to return to the safety of her husband’s embrace?

Further explores some of the world’s most remote mountain terrain while continuing Jones’ mission to camp deep in the backcountry and on the summits of unridden lines to access nearly vertical spines and wide-open powder fields.

Woo-chul used to be a successful boxer, but he had to go to prison because his opponent died in the middle of a match. Now that he’s been released, he intends to become a model citizen. Meanwhile, his friend Do-shik will do whatever it takes to get ahead. After choosing different paths, they will be forced to plot against and betray one another.

The only thing more terrifying than Snakes on a Plane is “Snakes on a Submarine,” and that’s exactly what we get in this claustrophobic, sub-aquatic thriller starring Luke Perry. Lieutenant Commander O’Neill (Perry) was piloting a retired submarine to its final port when Admiral Wallace (Tom Berenger) diverted the crew for one last mission: rescue an imperiled army research team before they meet a watery death. In order to reach the researchers and their top secret cargo while avoiding detection by a hostile enemy fleet, Lieutenant Commander O’Neill orders his crew to “run silent” in the depths. That silence is soon broken, however, when the cargo proves to be two genetically altered leviathans. Now, far beneath the ocean floor, a new kind of predator emerges to prove just how vulnerable man truly is when there’s nowhere left to run.

Darren Shan is a regular teenage kid. He and his friend Steve find out about a Freak Show coming to town and work hard at trying to find tickets. They do, and together they go to “Cirque du Freak” where they see many strange acts including a wolf-man and a bearded lady

The fate of Tokugawa’s world hangs in the balance as Yagyu Jubei is sent on a mission to discover what happened to 10 of the shogun’s spies that never returned. Matsukata Hiroki, one of the last surviving members of the Golden Age of Japanese Cinema proves that he has not lost a step as he portrays an older and wiser Yagyu Jubei in a movie that brings the best of samurai filmmaking into the 21st century. Summoned from semi-retirement by Shogun Iemitsu, Jubei is asked to take to the road and investigate a clan rumored to be preparing explosives for a rebellion. With help from a beautiful female ninja they head into the Shirakawa domain where the fighting skills of both are tested time and again as they strive to destroy a conspiracy that could bring a new Warring States Era. In the 1960’s Yagyu Jubei was the signature role of the great Konoe Jushiro, father of Matsukata Hiroki. This brings the character full circle.

Masami is a guitarist who dreams of his band “Rhythm Head” winning the Grand Prix at the Japan Music Carnival. History, and the warlords of 16th century feudal Japan are the very last thing on his mind. But when Rhythm Head are performing in Nagoya, a mysterious lightning strike causes not only a power blackout, but also a “time slip”, in which two of Japan’s preeminent samurai-era figures, Nobunaga Oda and Hideyoshi Toyotomi are transported to present day Japan. To Rhythm Head’s manager, the duo are the perfect vehicle for the band to transition to an idol group, increase their chances of becoming famous, winning accolades and taking away the Japan Music Carnival top prize. Could this be the beginning of a new type of music, courtesy of a brand new band Samurai Rock?