Comedian Felipe Esparza stars in his first HBO comedy special — an uproarious hour of stand-up featuring his unconventional riffs on the immigrant experience and life’s everyday battles.

Biopic about 1970s Welsh marijuana trafficker Howard Marks, whose inventive smuggling schemes made him a huge success in the drug trade, as well as leading to dealings with both the IRA and British Intelligence. Based on Marks’ biography with the same title.

Frank and Casper’s friendship is put to a test, when Casper decides to leave Denmark to pursue a solo career in Los Angeles. Determined to win his best friend back Frank chooses to follow Casper insuring an eventful trip.

A widowed mother with financial woes comes to the aid of a bill collector who crashes his car in a snowstorm.

Aspiring child actress Nanoka (Nanoka Hara) hopes to follow in her late mother’s footsteps and become an actress. She is more talented and pretty than her rivals, but she finds it difficult to land parts. One day, she hears that a play, which her mother performed, will be staged again. She takes part in the audition to play the lead role which her mother also played.

Set in a world where the concept of lying doesn’t exist, a loser changes his lot when he invents lying and uses it to get ahead.

Condamné pour un crime qui n’était, selon lui, qu’un accident, Constant réussit à s’évader de la prison où il purge sa peine… Après une fuite aveugle, livré à tous les hasards, Constant finit par échouer dans un coin perdu, près des berges désertes d’un canal…. Se cachant sur une péniche à l’abandon, Constant tente de reprendre son souffle, accalmie de courte durée… Dès l’aube, Sylvia une pétillante jeune femme qui a reconnu l’homme traqué, lui propose un implacable marché : assassiner (puisqu’elle le pense être un tueur professionnel) Jeanne, sa mère adoptive sinon elle le dénonce à la police ! Piégé, Constant ne peut qu’accepter cette périlleuse ” mission “. Mais bien loin de tuer Jeanne, Constant la sauve d’un suicide annoncé.

The second holiday story inspired by Scotty McCreery’s song “Five More Minutes,” a young widow’s Christmas wish for her son is answered in unexpected ways when she returns to their old home for the holidays.

A group of eleven recruits, composed entirely of excruciating social stereotypes, and one dorky camp instructor, embark on a weekend-long work retreat in the quasi-wilderness of northern south-east Queensland. Everything goes relatively smoothly, that is to say, lamely, until (you guessed it) one of the group turns out to be a homicidal maniac hell-bent on dispatching the others in a variety of creative ways. Based on the Pulitzer-Prize-winning novel (sic), The Killage is a wacky, fright-filled journey into the darkest recesses of the human intestines. Bring a box of tissues.

The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress “Simone” to sub for the star — the first totally believable synthetic actress.

Four middle-aged friends in Florence organize together idle pranks (called zingarate, “gypsy shenanigans”) in a continuous attempt to prolong childhood during their adult life.

Lovely and resourceful Daria and Tisa escape a space gulag only to crash land on a nearby world where a guy in tight pants named Zed is playing The Most Dangerous Game. Zed turns the girls and another guest loose in his jungle preserve to serve as the prey in a mad hunt. Armed only with knives and their wits, the girls must battle their way across the jungle to a hidden arms cache before Zed catches and kills them.