Princess is a young illegal immigrant from Nigeria who sells her body on the outskirts of a big city. Like an Amazon on the hunt, protected by her friends, she moves through a pinewood that stretches as far as the sea, an enchanted forest in which to find refuge, hide away from life and earn her daily bread. Every day, in order to survive, Princess has to steer clear of dangers and sentiments, follow the scent of money and dupe her clients. Her life is a succession of days that are always the same, one joins to another, without a break. Until one day, driven by an inner force to break the shackles of cynicism and exploitation, she quarrels with the friends with whom she shares the street and meets a man who wants to save her, but first she will have to save herself.
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A young Asian immigrant worker in Moscow tried to track down her baby, whom she abandoned at the hospital.
We are taken care of when we are children and we do not know as much as when we are older. There is less to worry about. But it does not mean the things that are important to us as children have less significance. You see, for Scruffy, despite that she is from a poor family of the countryside, it is very important to study well, because she will become an asthma doctor. The doctor said her dad will die but she has decided – she will grow up and cure her father. Equally important is to run away from her grandmother, who almost always is lurking around in the dark corners of the house with a comb to fix her messy hair. Death is too abstract to understand, war is a word one hears on the radio that grownups sometimes listen to. Yet, as Scruffy lives through her days full of happiness and misery at full steam, the most tumultuous years of Iran become unveiled on the background, as we are introduced to the Revolution and the Iran-Iraqi war through the eyes of a child.
The story follows a 16-year-old Icelandic boy, Ari, who lives with his mother in Reykjavík, She has to leave the country for a new job, sending him back to the small town of his youth. There he finds his old friend, suddenly a young woman with a tricky romantic relationship; and his father has become a victim of the financial crisis.
Chickie wants to support his friends fighting in Vietnam, so he does something wild—personally bring them American beer. What starts as a well-meaning journey quickly changes Chickie’s life and perspective. Based on a true story.
At a crisis center in late 1971, a freshly minted counselor on the late shift takes his first call: a suicidal teenager whose parents won’t let her come home for Christmas. The call exposes truths about each that lead to a surprising conclusion.
Young women toiling in a factory are exposed to hazardous material which takes a disastrous toll on their health.
One night with a total stranger. And fate brought them together once again. That’s where their whirlwind romance started.
“Le Grand Chef 2” begins with the Korean president visiting the Japanese Prime Minister and becoming involved in a heated debate over the origins of kimchi. The Japanese Prime Minister makes the bold claim that kimchi is an original Japanese dish which sets off the Korean president. Upon the Korean’s president return home he sets upon a globalization plan for kimchi, which includes a nationwide “Kimchi Contest”. Then, a lady named Jang-eun (Kim Jung-Eun) and her step-brother Sung-Chan (Jin Goo) compete in the Kimchi dish contest, with both siblings using their mother’s kimchi recipe.
Cut off by her wealthy father, a young woman talks her boyfriend into robbing a check cashing spot. Things don’t quite work out for the couple, however, who are now being pursued by the cops.
Lek is a locksmith and Kong is a writer. When Kong comes up with a plan to put Leks lock picking skills to good use, the two start breaking into other peoples homes, not to steal anything but just to bask temporarily in the lives of others. Kong pries too deeply into someone elses life, and things grow rather complicated.
