When a millionaire wheeler-dealer enters a business contract with a Hollywood hooker Vivian Ward, he loses his heart in the bargain.
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Six friends having a weekly board game night are interrupted by a booming movie trailer voice from the sky. Inexplicably, they find themselves trapped in a Horror Movie. Who amongst them will turn into a homicidal killer? Who will be the sole survivor? And who will be the first to die in the shower? Struggling to break free from the stereotypes that would see them dead, each of the friends try to stay alive in whatever hopelessly desperate ways they can.
John Bishop’s back! After taking time out to write his autobiography, John limbered up again for his third sell-out national Arena tour, ending with a special one-off show at London’s iconic Royal Albert Hall. This latest comedy caper by the immensely talented John Bishop was described as “the funniest two hours you’ll have anywhere, anytime soon” by The Daily Mirror.
When Sheriff Roy Pulsipher finds himself in the afterlife, he joins a special police force and returns to Earth to save humanity from the undead.
Stephen Chow plays a selfish yet in some places kind hearted barrister who tricks his servant in doing things for his own benefit. Eric Kot playing the servant is misguided by what he thinks is love and leaves Chow vowing that he will never need Chow’s help again in life. Shortly afterwards Kot gets into some big trouble (due to be executed) with the British and calls on Chow for help. Chow tries to help his client, but is fish out of water when he has to fight this court room case according to western rules.
The luxuriantly bearded Pirate Captain is a boundlessly enthusiastic, if somewhat less-than-successful, terror of the High Seas. With a rag-tag crew at his side, and seemingly blind to the impossible odds stacked against him, the Captain has one dream: to beat his bitter rivals Black Bellamy and Cutlass Liz to the much coveted Pirate of the Year Award. It’s a quest that takes our heroes from the shores of exotic Blood Island to the foggy streets of Victorian London. Along the way they battle a diabolical queen and team up with a haplessly smitten young scientist, but never lose sight of what a pirate loves best: adventure!
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The youngsters Matahi and Reri are in love with each other. The old warrior Hitu announces that Reri is to be the new chosen virgin for the gods. This means she must stay untouched, otherwise she and her lover will be killed. But Matahi abducts and escapes with her to an island ruled by the white man, where their gods would be harmless and powerless. Tabu is the last film from director F.W. Murnau; he died before the film’s premiere in a car accident.
The passing of a beloved old neighbor reunites six friends for a hometown holiday treasure hunt, where sparks fly once again between brand strategist Austin and his former best friend Everett.
Zhang Jian-He, a reserved and rather introverted cartoonist, is dating a beautiful and conservative girlfriend, YaShi. One day, in an unfortunate dispute with his best buddy Chen-Jun, is accidentally killed by Zhang Jian-He. To cover up his dead, Jian-He cleaned the bloodstains and any entailing evidence of the crime scene, and found a unique and creative way to dispose of Chen-Jun’s body. Soon Jian-He discovered a shocking truth: Chen-Jun was sleeping with YaShi all the time. Zhang Jian-He felt the utmost pain for being cheated by his best friend, and the girl he love is just a slut. The story soon brought out traces of a serial killer Jia-Ming, who murdered his own father when he was a minor. Disguished as a policeman, Jia-Ming return to his killing spree soon after his released from the prison, and through an online instant messenger, Jia-Ming get to know Zhang Jian-He…
British sad sack Gary is a failed entrepreneur who has just arrived in Beijing’s stylish Sanlitun district, allegedly to start a business. There are other reasons why he has uprooted himself — he’s followed his ex-wife and young son, for one — but he soon finds out that China isn’t the easiest place to succeed. Blissfully untouched by self-awareness, and only fitfully in tune with reality, Gary sallies forth to make money, armed with faith in himself and little to no knowledge of Chinese culture. He soon hooks up with Frank, a trust-fund kid from Australia who offers to mentor Gary in Eastern ways, although Frank’s pedagogical method is restricted to yelling at Gary for being a Westerner and not being as “Chinese” as him.