When his father dies, Terry (Gary Sinese) returns to the house where he grew up, planning to stay only long enough to clean and settle the estate. Yet something indescribable keeps him there longer than expected. Soon, he is reunited with memories and people from his past and his life is changed forever.

An absurdist, surrealistic and shocking pitch-black comedy, which moves freely from nightmare to fantasy to hilariously deadpan humour as it muses on man’s perpetual inhumanity to man.

This Mahogany film follows a woman who returns home for her family’s Christmas Carnival, unexpectedly meeting a photo journalist.

Duncan Mayor decides the perfect Christmas present for his beloved wife, Suzy, is a ride on a real Ferris wheel, set up in their very own back yard. As a young man, it was the perfect place for a wedding proposal. Now, years later, in order to relive the experience with his wife, Duncan will go to any length to make their fantasy become a reality.

‘Social Suicide’ is an investigative thriller examining what it really takes to get noticed on the Internet today. Loosely based on Romeo and Juliet, the police investigate what happened to these two teenagers before it’s too late by trolling through their relationship history through social media.

A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman’s fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.

Set four years after the first movie, Lin Xiao, Lily, Nan Xiang, and Ruby, confront opportunities and challenges as their school days come to an end.

Corrine’s holiday season gets an unexpected dose of romance when she meets the mysterious Harold, who is on a deadline from a higher power to help Corrine find her true love by Christmas Eve. As the clock ticks down to Harold’s deadline, Corrine must decide if she will open up to Christmas love.

A random invitation to a Halloween party leads a man into the hands of a rogue collective intent on murdering him for the sake of their art, sparking a bloodbath of mishap, mayhem and hilarity.

“Occident” is a bitter comedy about the people who want to emigrate from Romania, and about those who stay behind. The movie has a rich, interesting structure: there are three different stories – a weeklong in the film – that cross, interconnect and happen in the same period. The characters influence each others lives, sometimes even without knowing. Main characters from one story become secondary characters in another story. At the same time, scenes from the first part of the movie bring unexpected facts when seen the second or the third time. The stories do not have just one ending: the first story ends in each of the third parts in a different point, suggesting radically different solutions for the characters. The way in which the director fits time and links events together often produces thematically unexpected results.

In an alternate present-day version of Oakland, black telemarketer Cassius Green discovers a magical key to professional success – which propels him into a macabre universe.

Ethan, always the nice guy, wakes up in a new reality at Christmas. Initially, he is enthralled with his new life but soon realizes that it’s not what he thought it would be.