As the police launch a full-scale crackdown on organized crime, it ignites a national yakuza struggle between the Sanno of the East and Hanabishi of the West. What started as an internal strife in Outrage has now become a nationwide war in Outrage Beyond.

An art student is thrown out of college. Depressed, he comes up with the Party of Dynamic Erection, a near fascist “party” that promotes male sexual dominance and which attracts a couple of other unsavoury confused characters.

Gold reappears after vanishing for months. His car breaks down in a remote area. He meets peculiar people in a house. Waking up in his car, he questions if it was a dream or reality.

Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.

John Woo’s “The Killer” meets Shakespeare’s MacBeth in this gun barrel, hip-hop drama seen through African eyes. “Bloody Streetz” is the story of what happens when a ruthless killer for hire runs up against an African spirit and is forced to learn the errors of his ways.

A young boy becomes trapped inside America’s rigid immigration process. (Feature adaptation of the 2016 short film, “Icebox.”)

An aspiring hip-hop artist discovers the world of slam poetry.

A young woman bound in the front seat of a parked car watches helpless as her captor methodically digs a grave in the desert ground. The bloody lifeless body of her boyfriend lies framed in the rear-view mirror, a fate she will fight at all costs to avoid for herself. But this is only the beginning of a brutal struggle where survival could be worse than death.

An object is shot down over Seattle and the debris begins to effect the local weather ultimately threatening the whole world.

The new film from Lebanese director Danielle Arbid follows a young Arab immigrant in Paris, whose encounters with three men reveal different facets of her new country, and of herself.

Fran likes to think about dying. It brings sensation to her quiet life. When she makes the new guy at work laugh, it leads to more: a date, a slice of pie, a conversation, a spark. The only thing standing in their way is Fran herself.

At a remote lake house in the Adirondack Mountains, a couple entertains an out-of-town guest looking for inspiration in her filmmaking. The group quickly falls into a calculated game of desire, manipulation, and jealousy, unaware of how dangerously intertwined their lives will soon become.