Alexandre, an instructor at the Canadian customs college, returns home to his small town after his employer places him on compulsory leave. As he forms a new friendship with a female Icelandic drag racer, he finds himself under surveillance by police investigators trying to get to the bottom of the sexually explicit drawings that have been troubling the town.

Internationally acclaimed ventriloquist Nina Conti, takes the bereaved puppets of her mentor and erstwhile lover Ken Campbell on a pilgrimage to ‘Venthaven’ the resting place for puppets of dead ventriloquists. She gets to know her latex and wooden travelling partners along the way, and with them deconstructs herself and her lost love in this ventriloquial docu-mocumentary requiem. Ken Campbell was a hugely respected maverick of the British Theatre, an eccentric genius who would snort out forgotten artforms. Nina was his prodigy in ventriloquism and has been said to have reinvented the artform. This film is truly unique in genre and style. No one has seen ventriloquism like this before.

48 hours in the life of a burnt-out paramedic. Once called Father Frank for his efforts to rescue lives, Frank sees the ghosts of those he failed to save around every turn. He has tried everything he can to get fired, calling in sick, delaying taking calls where he might have to face one more victim he couldn’t help, yet cannot quit the job on his own.

An odyssey through time and memory, centered around a place in New England where—from wilderness, and then, later, from a home—love, loss, struggle, hope and legacy play out between couples and families over generations.

A woman wakes in a cryogenic chamber with no recollection of how she got there, and must find a way out before running out of air.

Two brothers, down on their luck, fake a disappearance in the Alaskan wilderness so they’ll have a great survival story to sell, but the hoax turns out to be more real than they planned.

After a terrible virus ravages human civilization, Ann finds herself living alone in a forest, foraging for supplies, and accompanied only by a radio that broadcasts a single transmission in French. Few animals even remain; the only survivors seem to be the roving hordes of infected creatures with a taste for human flesh. One fateful day, Ann crosses paths with two more survivors, Chris and Olivia. But after surviving on her own for so long, she struggles to relate to them and and their desire to settle down and start a new community.

This is an intriguing avant-garde look at what motivates the leisurely classes in Portugal, for better or worse, by director Manoel de Oliveira. Set in a spacious country home peopled with a wide-ranging cast of characters, the drama begins as the friends of a widow come to console her on the loss of her husband. But at one point, the widow goes upstairs, encounters her husband, and is faced with his accusations about the past. This event and others provide the means of revealing the petty, self-serving, egocentric, and romantic pursuits of the melange of people in the house. – Eleanor Mannikka, Rovi

A school teacher and her family and depicts how they overcome the overcome the troubling circumstances thrown at them.

Andy Taggert, played by Johnny Whitworth, set out for Hollywood to pursue acting, but years later finds himself as Vick Velour and working in adult films. Disillusioned and trapped, Andy walks off the set and lands himself in a mental hospital. His estranged parents pick him up and take him to their Arizona retirement community where Andy’s troubles seemingly all but disappear until his past unexpectedly comes back to haunt him.

Husband and wife, Richard and Rachel Kline, find themselves deep in the wooded wilderness, after their small plane crashes into the trees. The pilot is killed on impact, leaving Richard and Rachel injured and alone.

The wife of a barbaric crime boss engages in a secretive romance with a gentle bookseller between meals at her husband’s restaurant. Food, colour coding, sex, murder, torture and cannibalism are the exotic fare in this beautifully filmed but brutally uncompromising modern fable which has been interpreted as an allegory for Thatcherism.