n the history of Romanian cinema, Sergiu Nicolaescu’s name stands for “prolific, highly commercial and professional”. At the age of 80, the director launched his latest production, which is also his second comedy in a long row of action and historic films. “Poker” is a cinema adaptation of Adrian Lustig’s theatre play with the same name, and focuses on four male friends, representatives for the social canvas: a doctor without a moral conscience, an unscrupulous politician, a chief of the local mafia, and a businessman who made a fortune in America. Made by MediaPro Pictures, ‘Poker’ looks at immorality and intrigues in politics, hinting at the fact that contemporary Romania is a day to day jungle where strings are pulled by those in power, so everything turns into a poker round, where those who have the right aces in their sleeve can win.
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When students all flee an elite university in Vermont for winter break, the locals and faculty hunker down for their favorite time of year – the annual Christmas Bar Trivia Tournament. For Celeste, a Type-A astronomy professor, this event combines the magic of Christmas with her greatest comfort in life: knowing the right answer. But when her colleague drops out of the tournament to do a month-long lecture tour in Asia, Celeste’s team must adopt Max, the football team’s new offensive coordinator. To Celeste, Max seems like nothing more than a grown-up class clown – though he brings an undeniable knowledge of sports trivia (a category their team has always fallen short in). Initial clashes between the two eventually turn into mutual appreciation as the team enjoys scavenger hunts on campus, decorating the international house with Christmas lights, baking Christmas cookies, and advancing toward the championship trivia game.
May, the daughter of a wealthy Vietnamese businessman, wants to celebrate her 18th birthday in Bangkok and is willing to spend a lot of money to have dinner with her favorite Thai actor, Mr. Park (Puttichai Kasetsin). However, she starts to question whether money can bring true happiness and decides to meet Mr. Park as a regular person instead of a wealthy heiress. Her parents send a housekeeper and four bodyguards to watch over her, making it difficult for May to meet Mr. Park privately. She teams up with a friend, Dua Hau, to sneak out and meets a motorcycle biker named Boy (Vachiravit Paisarnkulwong), who helps her evade her bodyguards and get closer to Mr. Park. As May spends more time with Boy, she begins to question her feelings for Mr. Park and must decide who she wants to spend her special day with.
Filmmaker Trevor Graham is an Australian ‘hummus tragic’. Every week in his Bondi Beach home he observes the hummus making ritual, mashing chickpeas, lemon juice, garlic and tahina. But when the Hummus War erupted in 2008, among the usual suspects, Israel, Lebanon and Palestine, Graham was hungry for more. But this war ha no soldiers, bullets or tanks. Just chickpeas and hummus. Make Hummus Not War is a humorous homage to the chickpea’s most distinguished dish. But there’s a personal story, how Graham became a hummus tragic, a father who served in Palestine during WW2 and two lovers in his life, one Syrian, one Jewish, with whom he shared a great culinary passion.
On the edge of revolutionary change at their all boys private high school, three friends set out to have one last great weekend while dodging authority, love affairs and violent foes in the longest weekend of their lives.
Francesca always attracted weirdos. When one of her stalkers is found dead, she looks for comfort from her best friend, Maxi. Meanwhile, Maxi’s grandfather, Jack, a disgraced Rabbi, comes across a reclining chair containing a Dybbuk inside. Jack and his voodoo sorceress partner try to find out where the recliner has been delivered while exploring Jack’s newfound gift for communicating with the other world. Meanwhile the reclining chair becomes enchanted by Francesca and starts committing crimes of passion.
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Amidst a sea of litigation, two New York City divorce lawyers find love.
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