Plugged In explores how social media and smart phone usage has an effect on our younger generations, those who are now born into a world technologically ready and know nothing else – and how hard it is to remove this element from their lives in these modern times. It looks into the design of social media being a purposeful tool used to keep people hooked in, taken away from face to face reactions and how the attitudes towards people through these mediums have become darker.
You May Also Like
Their loved ones were murdered on 9/11. Twenty years later, they are still fighting for the truth.
“My new feature length documentary Breadcrumb Trail is about Slint and the Louisville music culture they emerged from. It includes footage going back to the early 1990s that I shot when repeatedly driving up from Athens, GA to Louisville to try to chase rumors of what they guys were up to. Over the years I tracked down more stories about them, then began filming interviews with each of the band members and their contemporaries. We also unearthed some unseen/uncirculated footage from their few live performances as well as the writing and arranging of Spiderland.”
Mali’s Music defines the country’s cultural identity. Radical Islamists are threatening the musicians. Together with the stars of Malian Global Pop – Fatoumata Diawara, Bassekou Kouyaté Master Soumy and Ahmed Ag Kaedi – we embark on a musical journey to Mali’s agitated heart. Can their music reconcile the country? IMDB
An intimate look at Israel Adesanya, the Nigerian born New Zealand based MMA champion, which goes beyond the ring and delves deep into an unlikely fighter’s journey. Exploring themes of masculinity, bullying and even the healing power of dance, this documentary is a poignant examination of the complex, exciting and sometimes controversial person known as ‘The Last Stylebender.’
Working with the South African women of the Black Mambas, where the fight against poachers is also a fight for women’s liberation and empowerment. Tough training, tough attitude – but driven by hope for a better future.
David Blaine travels around America to perform tricks in the UK premiere of his show What Is Magic? He visits New Orleans where he carries out a money trick in front of locals, producing hundreds of dollars at their fingertips before stopping off at New York to conduct magic in front of Orlando Bloom. But the jewel in David’s crown is his shot at the infamous The Bullet Catch; a trick which sees a 22 calibre bullet being fired at point blank range directly at the magician who then has to catch the bullet in a small metal cup in his mouth. The stunt is filmed using Phantom Camera technology which shoots 10,000 frames per second so that not a fraction of the action is missed.
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte is daughter and son, grandmother and grandfather; father of three, though orphaned of one. Laerte is the one who walks their daughter down the aisle as father and woman; who, even without a uterus, gestates. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
Two friends in a Southern drug recovery program struggle to come to terms with their addiction and mental illness by making a short film about the pain they’ve caused their families.
A middle-aged engineer decides to prove his worth by inventing a device he dreams will make him responsible for one billion orgasms.
Retrospective documentary on the making of the low-budget horror cult favorite Night of the Demons (1988).
In Columbus, Ohio, a group of autistic teenagers and young adults role-play this transition by going through the deceptively complex social interactions of preparing for a spring formal. Focusing on several young women as they go through an iconic American rite of passage, we are given intimate access to people who are often unable to share their experiences with others. With humor and heartbreak, How to Dance in Ohio shows the daily courage of people facing their fears and opening themselves to the pain, worry, and joy of the social world.
