“Michael Jackson: Chase the Truth” takes an investigative look into the legal battles of the global superstar. Close friends, former staff and researchers paint an intimate portrait of Jackson’s complicated world and put allegations of sexual abuse under the microscope. The film defends American singer Michael Jackson against allegations of child sexual abuse made in the documentary Leaving Neverland.

Sven gives us a unique insight into the success story that is Svennis’ career, with both a focus on his journey to the top of football Europe and the incurable cancer diagnosis that came to the public’s attention in early 2024.

Selections include Kelley’s Plasticon Pictures, the earliest extant 3-D demonstration film from 1922 with incredible footage of Washington and New York City; New Dimensions, the first domestic full color 3-D film originally shown at the World’s Fair in 1940; Thrills for You, a promotional film for the Pennsylvania Railroad; Stardust in Your Eyes, a hilarious standup routine by Slick Slavin; trailer for The Maze, with fantastic production design by William Cameron Menzies; Doom Town, a controversial anti-atomic testing film mysteriously pulled from release; puppet cartoon The Adventures of Sam Space, presented in widescreen; I’ll Sell My Shirt, a burlesque comedy unseen in 3-D for over 60 years; Boo Moon, an excellent example of color stereoscopic animation…and more!

Born to Be Wild observes various orphaned jungle animals and their day-to-day behavioural interactions with the individuals who rescue them and raise them to adulthood. The film unfurls in two separate geographic spheres. Half of it takes place in the rain forests of Borneo, where celebrated primatologist Dr. Birute Galdikas assists baby orangutans; the other half takes place on the arid savannahs of Kenya, where zoologist Dame Daphne Sheldrick works with baby elephant calves.

This documentary follows the 15-year journey of the founding members of the improv hip-hop group Freestyle Love Supreme, as they reflect upon why this show remains such an important piece of their personal, creative, and professional history–from the basement of the Drama Bookshop in NYC to the Broadway stage.

Banksy is a household name, but behind this name hides a multitude of stories, artworks, stunts, political statements and identities, leading to one of the art world’s biggest unanswered questions- who is Banksy?

The story of one of the great environmental disasters to befall the United States, and the terrible movie that helped bring the catastrophe to light.

As glam rock’s most flamboyant survivors, X Japan ignited a musical revolution in Japan during the late ’80s with their melodic metal. Twenty years after their tragic dissolution, X Japan’s leader, Yoshiki, battles with physical and spiritual demons alongside prejudices of the West to bring their music to the world.

Tyson Fury, one of the greatest heavyweights of all-time. Born into the traveller community, fighting is in Tyson’s blood. Named after the boxing legend, Mike Tyson, Fury was destined for greatness. Becoming the lineal heavyweight champion of the world in 2015, Tyson had completed his lifetime goal. However, despite being undefeated in the ring, his biggest battle came in another form: mental health.

In their debut documentary Christine Molloy and Joe Lawlor take as their point of departure the compelling 18th Century figure, Ambrose O’Higgins, and attempt to retrace his remarkable journey from Ireland to Chile.

Shot during the summer of 1970 at Fort Knox, Kentucky, Frederick Wiseman’s film Basic Training focuses on a group of men going through infantry training, showing how they are turned from civilians into soldiers. As well as being a unique portrait of the US army at work, the film is also a fascinating snapshot of a time and place at a defining moment in American history.

In CINEVANGELIST: A LIFE IN REVIVAL FILM, film historian and artist George Figgs tells the story of his life’s work in bringing revival cinema to Baltimore and beyond. From his role in Baltimore’s underground film scene of the 1960s and his involvement with the Orson Welles Cinema in Cambridge during the early ’70s, to helping manage Baltimore’s celebrated Charles Theatre in the ’80s, owning and operating the Orpheum Cinema during the ’90s, and continuing with the “third wave” of revival cinema today, Figgs has made it his mission to bring alternative films to the audiences who want to see them, in the way they were meant to be seen.