Set against the backdrop of Trinidad and Tobago’s mystical Carnival, a gifted and struggling young man becomes the object of intrigue for an older, well-meaning businessman until their worlds collide.
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Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).
On an otherwise quiet night there is a startling knock at the door. Andrew Tucker answers the door to find an old friend whom he hasn’t seen in years. The disheveled and absent friend comes to him with one request: “I need you to come with me but, I can’t tell you where we’re going.” Andrew takes a chance but learns that every answer brings more questions. Nothing good ever comes knocking after midnight and Andrew’s nightmare asks how far you would go to help a friend.
Robert Redford stars as billionaire John Gage, who offers a down-on-his-luck yuppie husband (Woody Harrelson) $1 million for the opportunity to spend the night with the man’s wife (Demi Moore).
DARK HORSE tells the larger than life true story of how a barmaid in a former mining village in South Wales bred a racehorse on her allotment that went on to become a champion. Jan had successfully bred dogs and birds and believed she could do the same with a different animal – though she knew nothing about racing and had never been on a horse. Convincing a handful of locals to part with ten pound a week for her scheme, she found a thoroughbred mare with a terrible racing record for £300, a stallion past his best, put them together and – against all the odds – bred a winner. It’s an audacious tale of luck and chance and beating the odds; a story of how a gaggle of working class folk from the Welsh Valleys took on the racing elite, broke through class and financial barriers, and brought hope and pride back to their depressed community.
Trapped in their New York brownstone’s panic room, a hidden chamber built as a sanctuary in the event of break-ins, newly divorced Meg Altman and her young daughter Sarah play a deadly game of cat-and-mouse with three intruders – Burnham, Raoul and Junior – during a brutal home invasion. But the room itself is the focal point because what the intruders really want is inside it.
Andy Taggert, played by Johnny Whitworth, set out for Hollywood to pursue acting, but years later finds himself as Vick Velour and working in adult films. Disillusioned and trapped, Andy walks off the set and lands himself in a mental hospital. His estranged parents pick him up and take him to their Arizona retirement community where Andy’s troubles seemingly all but disappear until his past unexpectedly comes back to haunt him.
After his release from prison, an ex-soldier embarks on a journey to reunite with his family.
Story of a promising high school basketball star and his relationships with two brothers, one a drug dealer and the other a former basketball star fallen on hard times and now employed as a security guard.
Toronto-based documentary filmmaker and cinematographer Nicholas de Pencier (Four Wings and a Prayer, Watermark) examines the complex global impact that the internet has had on matters of free speech, privacy and activism.
