Five high school friends skip class in hopes of finding the perfect spot to party. They chose the wrong place. Against all warnings, they break into an abandoned mental hospital, notorious for reports of ghost sightings, satanic rituals and demon possessions. Now, armed only with a camera, they are trapped inside, haunted and hunted by something they cannot stop, reason with, or describe.
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Two hoplessly out of their class con-men attempt to pull off the largest bank heist of the l9th century. They gain the enmity of the most famous bank Robber in the world and the affection of a crusading newspaperwoman.
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A military explorer meets and befriends a Goldi man in Russia’s unmapped forests. A deep and abiding bond evolves between the two men, one civilized in the usual sense, the other at home in the glacial Siberian woods.
In 1966, Texas Western coach Don Haskins led the first all-black starting line-up for a college basketball team to the NCAA national championship.
Human lives grappling with all the flavors of exstential despair intersect in a deadpan collage of comic suffering.
On a March night in 1964, 37 neighbors in Queens, New York, witness the brutal murder of Kitty Genovese. None of them takes action or calls the police. 37 tells the story of a few of these people and what led up to the night when they unexplainably remained passive observers. The film is a convincing portrayal of a borough in change and a time characterized by racism, the Civil Rights Movement and political shifts. The actual event that inspired the film’s plot has been called a symbol for the moment when America lost its innocence. The director Puk Grasten skillfully weaves into her feature film debut various fates, dreams and family conflicts by leading us through an apartment building that comes to bear a collective failure.
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