A look at the rise of crack cocaine in urban America in the 1980s and it’s influence on popular culture, especially in hip-hop music.
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Beitar Jerusalem FC is the most popular team in Israel and the only club in the Premier League never to sign an Arab player. Midway through a season the club’s owner, Russian-Israeli oligarch Arcadi Gaydamak, brought in two Muslim players from Chechnya in a secretive transfer deal that triggered the most racist campaign in Israeli sport and sent the club spiralling out of control.
Splinters is the first feature-length documentary film about the evolution of indigenous surfing in the developing nation of Papua New Guinea. In the 1980s an intrepid Australian pilot left behind a surfboard in the seaside village of Vanimo. Twenty years on, surfing is not only a pillar of village life but also a means to prestige. With no access to economic or educational advancement, let alone running water and power, village life is hermetic. A spot on the Papua New Guinea national surfing team is the way to see the wider world; the only way.
An aspiring actress gets caught up in L.A.’s underworld.
A documentary of uncompromising, outlaw, cult underground filmmaker Jim Van Bebber, covering his life from 2010-2015 while he tries to make a comeback and make a new exploitation film after years of struggling to work.
The story begins with the AMA’s attack on their non-drug providing rivals, the chiropractic profession. Interviews and historical footage expose the AMA’s clandestine campaign to eliminate chiropractic services, which culminates in a 15 year legal battle known as the Wilk case. This story, and the following stories of patients seeking or forced into alternative treatments, act as ‘a small doorway into a large room’.
A documentary special that provides a rare view into the real Charles behind the headlines… told in his own words.
The Hidden Face of Suicide enters the world of survivors, those who have lost loved ones to suicide, and reveals their remarkable stories. Looking for the story behind the silence in her own family, Silverman sets out on a journey of understanding and transformation. Using masks, the survivors find a unique and creative way to express the unspeakable. Their journey brings to light the danger of secrets and the terrible cost of silence.
Krishna Das is on a journey to India to discover legendary spiritual teacher Neem Karoli Baba, through drug addiction and depression, to his eventual emergence as a world-famous Kirtan singer.
Villa Empain was a passion, a vision, a plan, a home, an artwork. It is a heartfelt dream that was abandoned. Villa Empain, today, looks like it did in the 1930s, but it has turned into another entity held by the same fundament. The film compares the life of Louis Empain and his creation. It bears witness to how a fixed idea, an architect’s dream, disappears in favour of a living architecture.
Don’t Let the Devil Take Another Day tells the heartfelt, human story of Stereophonics frontman/songwriter Kelly Jones who rediscovers his distinctive voice and experiences a remarkable 2019.
Renowned documentary filmmaker D.A. Pennebaker captures Otis Redding in his ascendancy, singing at the historic Monterey International Pop Festival in June 1967. Comedian Tom Smothers introduces Redding to a crowd that is leaving — until Redding grabs them with his charged rendition of “Shake.” Redding’s performance also includes “Respect” (which he wrote), “I’ve Been Loving You Too Long,” “Satisfaction,” and “Try a Little Tenderness.” Tragically, Redding died in a plane crash six months later. An innovative filmmaker who started in the 1950s making experimental films, Pennebaker garnered an Oscar nomination for Best Documentary Feature in 1993 for The War Room, his behind-the-scenes look at Bill Clinton’s 1992 campaign. His other subjects have included Norman Mailer, Bob Dylan, and David Bowie.
In 1988, filmmaker Kevin Tomlinson filmed & interviewed a group of back-to-the- land “hippies”–living off-grid, insulated from mainstream culture. In 2006 he tracked down his subjects again to find out what had become of their families’ utopian plans and dreams.