After the India of Varanasi’s boatmen, the American desert of the dropouts, and the Mexico of the killers of drugtrade, Gianfranco Rosi has decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome’s giant ring road—the Grande Raccordo Anulare, or GRA—to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of the winding zone: a nobleman from the Piemonte region and his college student daughter sharing a one-room efficiency in a modern apartment building along the GRA.

Arda Turan shares the most intimate details of his well-known personal life, starting on the streets of Bayrampaşa and leading up to Ali Sami Yen, Vicente Calderon and finally to Camp Nou.

Portrait of Andy Goldsworthy, an artist whose specialty is ephemeral sculptures made from elements of nature.

Wiz’s Weekender (1992) was a film ahead of its time, both in form and content. It engaged with contemporary issues that mainstream media were eager to sensationalise. Consequently, it was branded with an 18 certificate and banned by both the BBC and ITV, never reaching a wider audience. For the past three decades, Weekender has bubbled just below the surface, gaining genuine cult status and influencing a vast network of creators. In the run-up to its thirtieth anniversary filmmakers Tabitha Denholm and Adam Dunlop interviewed people involved in the project. I Am Weekender is built around those conversations.

How can emotion come to light on the opera set? Does it come from singing, acting or music? How can someone become the incarnation of Verdi’s masterpiece? Following world famous French soprano Natalie Dessay from the first repetitions until the premiere under the direction of Jean-François Sivadier, we meet a very special woman, a piece of art, a myth: LA TRAVIATA.

The landmark documentary about the tragically ill-fated Rolling Stones free concert at Altamont Speedway on December 6, 1969. Only four months earlier, Woodstock defined the Love Generation; now it lay in ruins on a desolate racetrack six miles outside of San Francisco.

Single mothers, abandoned wives and survivors of sexual and domestic violence enroll in an intense training selection to join rangers protecting elephants from poachers across Africa.

A mother grapples to understand how her son became a school shooter and what it would take to prevent the next one.

Reporter Bronagh Munro investigates how a teenage gap year student became one of Britain’s worst ever paedophiles.

In 1959, Berry Gordy Jr. gathered the best musicians from Detroit’s thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown’s Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined – which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.

A differing group of people – a wildlife photographer, a marine biologist, a whale rescuer, and a crab fisherman – are united in their goal to save the North Atlantic right whale.

Capturing Americans in communities across the country as they wrestle with the legacy of the coal industry and what its future should be under the Trump Administration. From Appalachia to the West’s Powder River Basin, the film goes beyond the rhetoric of the “war on coal” to present compelling and often heartbreaking stories about what’s at stake for our economy, health, and climate.