College student Beca knows she does not want to be part of a clique, but that’s exactly where she finds herself after arriving at her new school. Thrust in among mean gals, nice gals and just plain weird gals, Beca finds that the only thing they have in common is how well they sing together. She takes the women of the group out of their comfort zone of traditional arrangements and into a world of amazing harmonic combinations in a fight to the top of college music competitions.
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Bathsheba Everdine, a willful, flirtatious, young woman, unexpectedly inherits a large farm and becomes romantically involved with three widely divergent men.
Kevin, a model train enthusiast reconnects with a former classmate Danielle who is home for the holidays with her young son and try to get their town’s old North Pole Express train line running.
The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.
Caleb Peterson has it all-a great job, plenty of money, and a fine fiancée in former model Paisley Terrell. They’re all set to get married just as soon as she signs a prenuptial agreement, but there’s just one problem…”Paisley don’t do pre-nups!” As war wages and trusts start to crumble, it turns into a battle of the sexes.
Written and directed by Windsor’s own Mike Stasko, Boys vs. Girls is loosely based on his experiences at a summer camp during the 90s. When camps around the country were shutting down every year and Camp Kitchikewana made the economically necessary move to turn co-ed, the result was a very real clash of the sexes. In the summer of 1990, the film sees Camp Kindlewood forced to go co-ed for the first time in its seventy-year existence. Camp Director Roger (Colin Mochrie) tries to keep the camp off the corporate chopping block, but after an awkward encounter between head counsellors Dale (Eric Osborne) and Amber (Rachel Dagenais), all bets are off. Rallying their sides in an attempt to win back their camp and gain dominance over what they feel is rightfully theirs, this battle of the sexes sets off a series of pranks, fueled by camp caretaker Coffee (Kevin McDonald), as the boys and girls fight for their summertime home.
Ozzy Osbourne’s four decade track record as a culturally relevant artist is unprecedented, but his personal struggles have been shrouded in secrecy, until now. Featuring never before seen footage uncovered from the archives and interviews with Paul McCartney, Tommy Lee and others, God Bless Ozzy Osbourne is the first documentary to take viewers inside the complex mind of rock’s great icon. Emerging from a working class family in war torn England, Osbourne and his neighborhood friends formed Black Sabbath and invented heavy metal. Plagued by self doubt, Osbourne the solo superstar went on a binge that lasted 40 years. God Bless Ozzy Osbourne will relive the highs of his triumphs as well as his journey to sobriety, which Ozzy regards as his greatest accomplishment.
Josie is a failed startup businesswoman, who is struggling with no permanent job. Ever since she saw her ex-boyfriend Seb escorting a politician and broke up with him three years ago, Josie remains single. Seb, on the other hand, becomes more sophisticated from earning handsomely through Sugar Dating. Josie learns about Seb’s success, prompting her to ask Seb to groom her for Sugar Dating. Once Josie gets a grasp on the work, she will be good at what she does and will not struggle financially anymore. At the same time, Seb’s feelings for her start coming back, but Josie now sees love differently. She thinks that love should only be transactional. It does not help that Josie can’t forget the time when Seb broke her heart.
After the bizarre death of her brother, Johana Burwood must return home after four years, to face her strange siblings, her out of touch father and her very touchy past.
Isabella is the ambitious new owner of her family’s Oregon winery whose dream of becoming world-renowned takes a big step forward when she enters a prestigious wine competition in Paris. Upon arrival, Isabella meets her biggest competitor, Jacques, from one of the world’s foremost winemaking families. Impressed by Isabella and her expertise in wine, a budding romance develops between them. However, as the results as the competition are announced, Isabella believes Jacques badmouthed her wine. Hurt, she returns home. When Jacques discovers what upset her, he seeks to win her back, even if it means leaving behind his beloved winery.