A scuba diving instructor, her biochemist boyfriend, and her police chief ex-husband try to link a series of bizarre deaths to a mutant strain of piranha fish whose lair is a sunken freighter ship off a Caribbean island resort.
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Smith, a typical young college student who likes partying and engaging in acts of random sex and debauchery, has been having some interesting dreams revolving around two gorgeous women — and is shocked when he meets the dream girls in real life. Lorelei looks just like his fantasy brunette, while a mysterious red-haired girl being chased by assassins draws him into an international conspiracy. Or is it all just a drug-induced hallucination?
In ‘A Brave New World’, a virus brings the city to ruins and zombies flood the streets of Seoul. In ‘The Heavenly Creature’, a robot reaches enlightenment while working at a temple, but its creators deem this phenomenon a threat to mankind. In the final segment, ‘Happy Birthday’, a young girl logs onto a strange website and places an order for a new billiard ball for her father. Soon afterwards a meteor heads toward Earth and people flee to underground bomb shelters.
“40 Nights” is the first of the QUEST TRILOGY – films sharing alike themes of sacrifice and faith. These films focus on less known events from the biblical age. The first film examines the pre-ministry life of Jesus (DJ Perry) starting with his baptism with John the Baptist (Terry Jernigan). From there Jesus embarks on his self- exploration journey into the wilderness for 40 nights. He is tempted by the Devil thrice in various forms. Audiences will be treated to a stronger portrayal of Jesus that peeks at his childhood and family upbringing. The result is a Jesus that invokes empathy and sheds light on the true magnitude of his sacrifice for mankind.
A witty, romantic, and very dangerous love story about chance meetings, instant attractions, and casual betrayals. Two couples disintegrate when they begin destructive adulterous affairs with each other.
A sudden loss disrupts Carol’s orderly life, propelling her into the dating world for the first time in 20 years. Finally living in the present tense, she finds herself swept up in not one, but two unexpected relationships that challenge her assumptions about what it means to grow old.
Young and full of life, Murielle (Emilie Dequenne, Rosetta) has a promising future ahead of her when she meets and falls head over heels for Mounir (Tahar Rahim, A Prophet). A wedding soon follows, and the happy couple quickly set about preparing to make a family. However, with family come ties, and none come as tight as that between Mounir and his adoptive father (Niels Arestrup, A Prophet, Sarah’s Key). As Murielle continues to bring new life into the family, frictions between Mounir and Doctor Pinget reach boiling point. Helpless to extract her husband and children from the wealthy nest that Doctor Pinget has provided for them, Murielle is drawn into an unhealthy family dynamic. There is only one way out of this nightmare, and for Murielle all sense of reasoning begins to abandon her.
An ageing Glaswegian psychoanalyst finds his lust for life renewed following an encounter with the charismatic partner of a young patient.
During a stopover in Germany in the middle of a carefree road trip through Europe, two American girls find themselves alone at night when their car breaks down in the woods. Searching for help at a nearby villa, they are wooed into the clutches of a deranged retired surgeon who explains his mad scientific vision to his captives’ utter horror. They are to be the subjects of his sick lifetime fantasy: to be the first to connect people, one to the next, and in doing so bring to life “the human centipede.”
Promiscuous things going on every night at LKF. Tonight, a photographer hits it off with a girl that just broke up with her rich ex-boyfriend; an office boy in advertising mistakes his cell phone for a pretty married woman’s; a broker gets to know a prostitute a lot more than he should; a patrol officer comes across a female DJ working at a night club, they’re like familiar strangers to each other.