Pursued by a dangerous criminal after a failed theft, con artists Nina and Yaz get way more than they bargained for when they target a seemingly innocent elderly widow called Beryl. Incarcerated in a nightmare version of suburbia and consumed with fear, Nina and Yaz find themselves fighting desperately for their lives against Beryl’s family of deranged and hungry psychopaths.

Tom Collier has had a great relationship with Daisy, but when he decides to marry, it is not Daisy whom he asks, it is Cecelia. After the marriage, Tom is bored with the social scene and the obligations of his life. He publishes books that will sell, not books that he wants to write. Even worse, he has his old friend working as a butler and Cecelia wants him fired. When Tom tries to get back together with Daisy to renew the feelings that he once felt, Daisy turns the tables on him and leaves to protect both of them.

Shuhei Hirayama is a widower with a 24-year-old daughter. Gradually, he comes to realize that she should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

Having lost her beloved father at an early age, Yuri lives with her mother and younger brother. Yuri’s mother meets a new man, but they are deeply in debt and forced to leave their home. Yuri is then forced to take a job as a call girl to support her brother. One day Yuri’s brother becomes ill but since Yuri has to work, she unwillingly leaves him at home. When she returns, she finds him dead in the bathtub. Her heart is scarred with regret and she suffers with a pain that will never go away. After some time has passed, Mayu, a colleague of Yuri’s, tells her about a mysterious mobile app that is rumored to enable its user to talk to the dead. Yet, it comes with a warning: Never reply if the dead soul says, “I want to see you.” Because she blames herself for her brother’s death and will do anything to tell him how sorry she is, Yuri downloads the app and reaches out to her dead brother. Meanwhile, the app’s users begin to die.

Set in the dark and old Parramatta prison built by the original convicts our lead character Ray a war veteran finds himself serving 18 months for manslaughter after defending his fiance. He soon realizes that the prison boss has it in for him and does everything possible to break Ray even going after his fiance.

Rattled by the prospect of becoming a dad, a 40-year-old filmmaker begins to consider what “manhood” really means for him, prompting him to pursue an array of interests and reexamine his views — which were shaped by his father.

A powerful drama relating the intimate aspect of teenage boys and their priest/educators behind the walls of a religious institution where rigid discipline backfires natural feelings are deemed unnatural acts and human lives are controlled in the names of good intentions.

Michael considers himself a genius criminal and plans the big coup. He forms three new gangs who know nothing about each other and each only know part of his plan. In the background Michael pulls the strings and mercilessly plays the actors on his stage against each other. This strategy also poses unsolvable problems for the police until something goes wrong and the house of cards collapses.

When three very different people (Mike Baldwin, Will Haza, Ali Lukowski) from three completely different worlds begin a deadly game of Russian Roulette, they soon discover that their pasts are a trilogy of overlapping events that have brought them together for one last session of group therapy.

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In the last “Big Boss” (AKA “Fists of Fury”), Cheng Chao-On was arrested after killing Hsiao Mi, “The Big Boss.” In this unofficial sequel, his brother, Cheng Chao-Chun, visits his brother in Thailand, finds a job at the same ice factory that his brother worked at and avenges the death of their father.

A young woman from a lower-middle class family wins a car in a lucky draw unaware of the trouble it’s going to bring her.