The debut film from Darren Aronofsky in which a mathematical genius Maximilian Cohen discovers a link in the connection between numbers and reality and thus believes he can predict the future.
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A former street tough returns to his Philadelphia home after a stint in the military. Back on his home turf, he once again finds himself tangling with the mob boss who was instrumental in his going off to be a soldier.
Igor, aged 15, and his father Roger deal in housing and peddling illicit labor in the outlying districts of Liege, Belgium. Scams, lies and swindling rule their lives. When one of his father’s illegal workers gets injured on the job and asks Igor to promise to take care of his wife and baby, Igor finds himself at a crossroad. He wants to keep the promise, but the price would be to betray his father.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the country to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.
Daniel Lugo, manager of the Sun Gym in 1990s Miami, decides that there is only one way to achieve his version of the American dream: extortion. To achieve his goal, he recruits musclemen Paul and Adrian as accomplices. After several failed attempts, they abduct rich businessman Victor Kershaw and convince him to sign over all his assets to them. But when Kershaw makes it out alive, authorities are reluctant to believe his story.
What would you do if you found 30 million that no one was missing? Mahmut decides to do what he has always dreamt of: to be seen as a Swede. He changes his name to Sebastian, rents a nice house, buys a Volvo and starts wearing socks with patterns. But there’s a problem, all of the money is in notes that become invalid in two weeks. His new life is threatened and he needs to find a way to launder 30 million in two weeks.
At the Hirata home, three generations of their family live together. A crisis ensues when one afternoon, housewife Fumie falls asleep and wakes up to find a thief has stolen her secret money she kept hidden in the refrigerator.
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A portrait of youth in bloom; a tale of one family’s dissolution; a reflection upon the danger and the mystery in living. Sandrine Bonnaire plays Suzanne, a free spirit and the vessel for an almost Brontëan choler. She’s 16, and men exist — diverse lovers, an overbearing brother, and the father portrayed by director Maurice Pialat himself in an unforgettable turn that displays the full magnitude of the cinema giant’s tenderness, force-of-will, and presence of being.
A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy
Two young artists use love as a safety net against the fear and pain in their lives in order to propel them deeper into their art.