Grace Metalious’ once-notorious bestseller Peyton Place is given a lavish — and necessarily toned-down — film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion — which resulted in her illegitimate daughter Allison (Diane Varsi) — by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can’t help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who’d like to be as footloose and fancy-free as the town’s “fast girl” Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama’s boy Norman Page (Russ Tamblyn).
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Four couples deal with love and lust, commitment and infidelity, and the pressures of relationship expectations. Filmed in Melbourne, Berlin, Malta, and New York, In Corpore tackles the consequences faced when one chooses to either suppress or give into the inner desires of body and soul.
1779. Eight-year-old Ludwig van Beethoven, called “Louis”, is already known as a musical prodigy. He learns to go his own way – much to the dismay of the people around him. Some years later, he meets Mozart during times of political upheaval. The unconventional genius and French Revolution are sparking a fire in Louis’ heart; he doesn’t want to serve a master – only the arts. Facing times of family tragedies and unrequited love, he almost gives up. However, Louis makes it to Vienna to study under Haydn in 1792, and the rest is history. Who was this man, whose music has since touched countless hearts and minds? At the end of his life, the master is isolated by loss of loved ones and hearing. Surely though, he was way ahead of his times.
An eccentric mountain man on the run from the local sheriff recalls the mysterious events that brought him to his present fugitive state.
Desperate to raise money for his daughter’s cancer treatment, a retired bull rider teams up with his estranged son and resorts to robbery to secure payment before time runs out. But after the heist goes awry, keeping the money—and their freedom—requires the duo to outwit a dogged pair of local law enforcement officers, including a justice-minded sheriff who soon suspects that the key to her case may lie uncomfortably close to home.
J.J. is a rookie in the Sheriff’s Department and the first black officer at that station. Racial tensions run high in the department as some of J.J.’s fellow officers resent his presence. His only real friend is the other new trooper, the first female officer to work there, who also suffers similar discrimination in the otherwise all-white-male work environment. When J.J. becomes increasingly aware of police corruption during the murder trial of Teddy Woods, whom he helped to arrest, he faces difficult decisions and puts himself into grave personal danger in the service of justice.
Following a woman’s search for truth after being cheated in a romance scam.
A Girl and A Guy is a modern tale of young adults navigating the tricky world of relationships, connection, and intimacy in today’s society. The film tells the story of a girl, the story of a guy, and the story of a girl and a guy.
Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar stability, new threats could jeopardize their happy ending before it even begins.
A man develops a relationship with a woman who has mysterious supernatural abilities.
Based on true events of the late 60s in Italy, poet, playwright and myrmecologist Aldo Braibanti is prosecuted and sentenced to prison for the love he shares with his barely-of-age pupil and friend, Ettore. Amidst a chorus of voices of accusers, supporters and a largely hypocritical public, a single committed journalist takes on the task of piecing together the truth, between secrecy and desire, facing suspicion and censorship in the process.
Alyssa is a troubled 14-year old, suspended from school a year after her mother has drowned. Her grandmother Lucy, at wit’s end, decides to take Alyssa to her father, James, whom Alyssa thought was dead for years. He studies dolphin communication at Smith’s Point, on the Grand Bahama Island. James has not known of Alyssa’s existence and is clueless about parenthood. The women arrive at the same time that James may lose his research operation to a tourist attraction. Father, daughter, dolphins, and town are on a collision course. Alyssa and James get encouragement from James’s girlfriend and her father. It’s the dolphins who can teach, and Alyssa who discovers how to listen.
The mother of the family for which Michelle baby-sits dies unexpectedly. Michelle is asked to take over looking after the children and is gradually “seduced” by the father.