Heaven Adores You is an intimate, meditative inquiry into the life and music of Elliott Smith. By threading the music of Elliott Smith through the dense, yet often isolating landscapes of the three major cities he lived in — Portland, New York City, Los Angeles — Heaven Adores You presents a visual journey and an earnest review of the singer’s prolific songwriting and the impact it continues to have on fans, friends, and fellow musicians.

Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early ’70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.

In a courtroom in Queens, women facing prostitution charges may earn a chance at redemption thanks to an experimental program established by a team of rebel heroines working to change the system.

The full, shocking story of how Britain secretly used torture in its war against the Kenyan anti-colonialist Mau Mau movement in the 1950s.

People who knew R. perceived her as a happy woman. A woman from Brno in her thirties who moved to Sweden together with her Slovak husband, psychiatrist Ivan. In their new home country, the young couple bought a house and had two children. It seemed that R.’s life would continue in a predictable way. As a distraction from the routine, she chose an unusual hobby. She created a male alter-ego and started writing novels for LGBTQ+ audiences. R. was happy but felt empty on the inside. She could only fill it by living out her true self. Things started speeding up and R. began changing. R. is now Marvin. And Marvin is a man.

The reclusive Patricia Douglas comes out of hiding to discuss the 1937 MGM scandal, in which the powerful film studio tricked her and over 100 other underage girls into attending a stag party, where she was raped.

Journalist Jenny Eliscu and filmmaker Erin Lee Carr investigate Britney Spears’ fight for freedom by way of exclusive interviews and confidential evidence.

Good Girl Bad Girl tells the story of Rihanna, and her triumphant journey from poverty and obscurity on the Caribbean island of Barbados, to becoming a worldwide pop sensation.

The Eugenics Crusade tells the story of the eugenics movement and its long history in the United States, from its beginnings in the study of heredity, to its rise as a popular movement promising to uplift the human race through state sponsored sterilization, to its influence on immigration laws designed to close our borders to groups deemed genetically inferior.

A Roma boy living in Sweden dreams of building a spaceship to escape the reality of his family’s pending asylum request, and the mysterious coma-like illness that has befallen his siblings.

Hundreds of Western volunteers have joined Kurdish armies in Syria and Iraq in their efforts to fight the Islamic State. What drives some Canadians to put their lives on the line?

A revolution is taking place in the art world and it isn’t happening in Paris, Berlin or Hong Kong—but in Grand Rapids, Michigan. ArtPrize is the most highly attended art show in the world, and it awards cash prizes larger than all other competitions combined. International critics and general crowds pack bars, galleries and abandoned buildings all over town, taking in over 1,500 works from cerebral conceptualists and weekend hobbyists. An acclaimed jury awards a winner $200,000 and the ballot-carrying public does the same. Nimble cameras follow four artists, each vying not only for critical recognition but for every public vote they can drum up. Part classy game show, part engaging art exploration, More Art Upstairs captures the debates ArtPrize has intentionally (or inadvertently?) triggered: Can culture be democratized? Do artists need or want to connect with audiences? And is the canonical art establishment on its way out? (Myrocia Watamaniuk)