A chronicle of the birth and development of one penguin chick, born late and smaller than any of its fellow toddlers.

Following a set of traumatic experiences – best friends, Fletcher Barnes and Henry Davis, drop out of college in search of meaning. After months of adventure, they find themselves living with a traveling love wizard in a bizarre Los Angeles home. Inspired by his story and determined to dig deeper – they team up and head to Africa to discover how “love” is perceived in the world today.

A woman in Pakistan sentenced to death for falling in love becomes a rare survivor of the country’s harsh judicial system.

A documentary on filmmaker Marianna Palka, as she confronts her risk of Huntington’s Disease.

A documentary that explores the range of experiences lived by transgender Americans.

In 1991 a group of countercultural visionaries built an enormous replica of earth’s ecosystem called Biosphere 2. When eight “biospherians” lived sealed inside, they faced ecological calamities and cult accusations. Their epic adventure is a cautionary tale but also a testament to the power of small groups reimagining the world.

There are 100,000 US citizens in solitary confinement across the country, a staggering number prompting comment from both President Obama and the Pope. Situated in rural Virginia, 300 miles from any urban center, Red Onion State Prison is one of over 40 supermax prisons across the US built to hold prisoners in eight-by-ten-foot cells for 23 hours a day. Filmed over the course of one year, this eye-opening film braids stark prison imagery, stories from correction officers, and intimate reflections from the men who are locked up in isolation. The inmates share the paths that led them to prison and their daily struggles to maintain their sanity.

Recorded live at Hammersmith Apollo, Russell questions the values of heroes and leaders. ‘Messiah Complex’ is a disorder where sufferers think they might be the messiah. Did Jesus have it? What about Che Guevara, Gandhi, Malcolm X and Hitler? All these men have shaped our lives and influenced the way we think. Their images are used to represent ideas that often do not relate to them at all. Would Gandhi be into Apple? Would Che Guevara endorse Madonna? Would Jesus be into Christianity? He concludes it’s all a load of rubbish and encourages the audience to stop voting, ignore advertising, look to the transcendent within themselves and others…and kick over some bins on their way home. Plus there’s sex. Obviously.

How would you feel about carrying your home in your pocket or having clothes to live in? For most of us, “house” means stability, structure, and permanence. In an age of increasing population and technological gains, today’s mobile society has resulted in a demand, or perhaps a dream, for portable dwellings and dwellings in new settings and situations.
Microtopia explores how architects, artists and ordinary problem-solvers are pushing the limits to find answers to their dreams of portability, flexibility – and of creating independence from “the grid”. Modern nomads, homeless people, people in stress, people in need of privacy or seclusion. We hear about the personal reasons behind the dwellings, and to see how they actually work. On the sidewalk, on rooftops, in industrial landscapes and in nature we will see and feel how these abodes meet the dreams set up by their creators. Microtopia deals with a contemporary urgent ideas that are addressed, and solved, in a very surprising way.

Another super polished, overly produced debacle. Delivering the gnarliest skateboarding from this year’s new breed of rippers: Jamie Foy, Chase Webb, Carlos Iqui, Michael Pulizzi and Cody Lockwood. “If anyone knows where the end of the Earth is, can they take us there?”

Ken Loach’s 2013 documentary about social change in Britain in the aftermath of the Second World War, including the nationalisation of industries and the formation of the welfare state. Made almost entirely in black & white, so B&W archive footage from the 1940s blend in with interviews made today.

An insider’s account from the perspectives of those who helped construct America’s counter-terrorism machine — and of its targets.