Sumitra travels to Pandharpur to find a ray of hope, after Sangram killed her husband and son and took over their business.

At the end of the Civil War, a Union soldier is released from prison and travels with a fellow prisoner to Missouri where his travelling companion is shot and hung for horse stealing. California decides to take the dead companion’s belongings to his family’s ranch, where he falls in love with his friend’s sister. But then the “ghosts” of the war return in an unexpected way haunting him again.

Estranged from his family, Jonathan (Hedlund) discovers his father has decided to take himself off life support in forty-eight hours’ time. During this intensely condensed period, a lifetime of drama plays out. Robert (Jenkins) fights a zero sum game to reclaim all that his illness stole from his family. A debate rages on patients’ rights and what it truly means to be free. Jonathan reconciles with his father, reconnects with his mother (Archer), sister (Brown-Findlay), and his love (Adams) and reclaims his voice through two unlikely catalysts – a young, wise-beyond-her-years patient (Barden) and a no-nonsense nurse (Hudson). Through this intensely life affirming prism, an unexpected and powerful journey of love, laughter, and forgiveness unfolds.

It’s the lawless future, and renegade biker Harley Davidson and his surly cowboy buddy, Marlboro, learn that a corrupt bank is about to foreclose on their friend’s bar to further an expanding empire. Harley and Marlboro decide to help by robbing the crooked bank. But when they accidentally filch a drug shipment, they find themselves on the run from criminal financiers and the mob in this rugged action adventure.

The lives of Narendra and Ajeng intersect for the first time as past and present come together in this prequel to “One Day We’ll Talk About Today.”

In Victorian England, wealthy patriarch Sir Harald Alabaster invites an impoverished biologist, William Adamson, into his home. There, William tries to continue his work, but is distracted by Alabaster’s seductive daughter, Eugenia. William and Eugenia begin a torrid romance, but as the couple become closer, the young scientist begins to realize that dark, disturbing things are happening behind the closed doors of the Alabaster manor.

A timeless teenage romance chronicling an impossible relationship that fights against the advance of a terminal disease.

Kelly (Antonia Campbell-Hughes) meets Victor (Julian Morris) while they are both loved up on the dance floor of a Liverpool nightclub. They are soon in her bed, fucking with an urgent intensity that neither has experienced before. These are two characters struggling to get by as best they can while the people around them are choosing illegal lifestyles; her best mate is a dominatrix prostitute, his pals are aspiring drug dealers. It’s when they get into bed with each other that their darker instincts take over.

A college freshman returns to Los Angeles for the holidays at his ex-girlfriend’s request, but discovers that his former best friend has an out-of-control drug habit.

Rimini, 1991. For more than a year, the uno bianca gang – they always use a white Fiat Uno – has plagued the area. Their crimes are violent, sometimes killing carabineri, and there’s no particular pattern: a bank one day, a petrol station the next, extortion of a small business the next. Are they terrorists? A foreign gang? Tied to the Mafia? After a particularly bloody shootout, two detectives are assigned to start fresh: they go through the notebooks of previous investigators and they interview a few witnesses again. They find a pattern in the crimes and predict the next assault, but the special task force in Bologna is dismissive. Can they carry on alone; how far will they get?

WWII drama from film-maker Christopher Forbes which follows American fighter pilots on a perilous mission into the skies of enemy territory.

Aided by his Father, and his family, a man in the midst of a heavy personal and spiritual crisis embarks on a personal journey that will forever change him.