Pauly Shore Stands Alone is a true-life road documentary. The camera follows Pauly on a snowy mid-western comedy club tour, while Pauly deals with moving his ailing mother, Mitzi Shore, out of her West Hollywood mansion of 40 years.
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A look at NYC’s gentrification and growing inequality in a microcosm, Class Divide explores two distinct worlds that share the same Chelsea intersection – 10th Avenue and 26th Street. On one side of the avenue, the Chelsea-Elliot Houses have provided low-income public housing to residents for decades. Their neighbor across the avenue since 2012 is Avenues: The World School, a costly private school. What happens when kids from both of these worlds attempt to cross the divide?
Escapes blazes a path through mid-20th-century Hollywood via the experiences of Hampton Fancher – flamenco dancer, actor, and the unlikely producer and screenwriter of the landmark sci-fi classic Blade Runner. Fancher recounts episodes from his life — romantic misadventures with silver-screen stars, wayward acts of chivalry, jealousy, and friendship — matched with a parallel world of film and TV footage wherein Fancher plays cowboys, killers, fops, cads, and the occasional hero. Escapes shows how one man’s personal journey can unexpectedly shape a medium’s future.
Cyriaque Kouenou was forced to leave his country and fled to the Netherlands. Staying there he has now entered his fourth year on a surrealistic trip with no end in sight, with stopovers in a tent camp, an empty church, an old office building and a former prison. A no man’s land where you are stuck after being told that you aren’t allowed to stay but also can’t be sent back.
The creative chemistry of four brilliant artists —drummer John Densmore, guitarist Robby Kreiger, keyboardist Ray Manzarek and singer Jim Morrison— made The Doors one of America’s most iconic and influential rock bands. Using footage shot between their formation in 1965 and Morrison’s death in 1971, it follows the band from the corridors of UCLA’s film school, where Manzarek and Morrison met, to the stages of sold-out arenas.
An engrossing portrait of the rise and untimely demise of David McComb, the virtuosic frontman of Australian rock band The Triffids.
Award-winning filmmaker, Marina Willer (Cartas da Mãe), creates an impressionistic visual essay as she traces her father’s family journey as one of only twelve Jewish families to survive the Nazi occupation of Prague during World War II. Photographed by Academy Award® nominee César Charlone (City of God), the film travels from war-torn Eastern Europe to the color and light of South America and is told through the voice of Willer’s father Alfred (as narrated by Tim Pigott-Smith, Quantum of Solace), who witnessed bureaucratic nightmares, transportations and suicides but survived to build a post-war life as an architect in Brazil. As the world struggles with the current refugee crisis, RED TREES is a timely look at a family besieged by war who finds peace across an ocean.
A tragi-comedic tale of one man’s search for self-acceptance, a journey that included tabloid celebrity, Tupperware parties, and two coming-outs — first as a straight woman, then as the gay man he was born to be.
A woman awakens with amnesia after a suicide attempt, and her quest to find the meaning of life introduces her to a great spiritual philosophy. Her self-discovery becomes a real-life primer in new age consciousness.
A young woman dreamed of a military career. In 2020, however, after telling her mother she was being sexually harassed on the Fort Hood army base, Guillen was murdered by a fellow soldier. Her story sparked an international movement of assault victims demanding action. The project follows her family’s fight for historic reform, a journey that takes them to the Oval Office.
For three days in August 1969, nearly a half-million young people descended upon Max Yasgur’s farm in upstate New York for the rock ‘n’ roll event that defined a generation. Mythologized for 50 years, the filmmakers set the record straight with “Creating Woodstock,” the most comprehensive examination of how the festival came to be.
Cult film director Robert Downey Sr. on the making of his film andquot;Greasers Palaceandquot;.
At first glance, Matthew VanDyke—a shy Baltimore native with a sheltered upbringing and a tormenting OCD diagnosis—is the last person you’d imagine on the front lines of the 2011 Libyan revolution. But after finishing grad school and escaping the U.S. for “a crash course in manhood,” a winding path leads him just there. Motorcycling across North Africa and the Middle East and spending time as an embedded journalist in Iraq, Matthew lands in Libya, forming an unexpected kinship with a group of young men who transform his life. Matthew joins his friends in the rebel army against Gaddafi, taking up arms (and a camera). Along the way, he is captured and held in solitary confinement for six terrifying months. Academy Awa