Against the backdrop of simmering racial tensions within her rural English town, the life of eleven year old Hannah changes forever when she meets a boy from a mysterious and forbidden world.
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Friends since childhood, Eric, Dana and Frank have insatiable curiosity about the unknown driving them to experimentation in paranormal. This ultimately leads to an incident that so frightens and overwhelms them it causes a twelve-year rift in their relationship. Now after finding new evidence, the three reunite. It’s time to finish their work and put an end to unanswered questions.
The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.
After a series of bomb blasts in Hyderabad a special ATS team lead by officer Desai name Yasin Darji as the suspect. Following a tip-off the team reaches a location to arrest Yasin only to end up arresting Sameer, the wrong guy. While the error needs to be fixed, the higher authorities decide to bargain with Sameer for his freedom, sending him as a mole. Sameer turns a mole to stop Yasin Darji before he kills more innocent people. A chase begins. Will they manage to stop Yasin, or will Yasin trump?
A group of Catholic school friends, after being caught drawing an obscene comic book, plan a heist that will outdo their previous prank and make them local legends.
In 1818, high-spirited young Fanny Brawne finds herself increasingly intrigued by the handsome but aloof poet John Keats, who lives next door to her family friends the Dilkes. After reading a book of his poetry, she finds herself even more drawn to the taciturn Keats. Although he agrees to teach her about poetry, Keats cannot act on his reciprocated feelings for Fanny, since as a struggling poet he has no money to support a wife.
It’s the summer before 6th grade, and Clark is the new-in-town biracial kid in a sea of white. Discovering that to be cool he needs to act ‘more black,’ he fumbles to meet expectations, while his urban intellectual parents Mack and Gina also strive to adjust to small-town living. Equipped for the many inherent challenges of New York, the tight-knit family are ill prepared for the drastically different set of obstacles that their new community presents, and soon find themselves struggling to understand themselves and each other in this new suburban context.
Jennifer, an Australian girl on the run from her past, turns up in Amsterdam and, in a desperate attempt to blend in, joins a coach-load of tourists on a tour of Holland’s old windmills. When the bus breaks down in the middle of nowhere, she and the other tourists are forced to seek shelter in a disused shed beside a sinister windmill where a devil-worshiping miller once ground the bones of locals instead of grain. As members of the group start to disappear, Jennifer learns that they all have something in common – a shared secret that seems to mark them all for doom.
Trevor is a busboy who is so terrified of women that he takes in a young man addicted to heroin and then uses the drug to manipulate, coerce, and terrorize him into becoming “Dorothy”, his twisted concept of the “ideal girlfriend.”
Molly McKay is a profoundly autistic twenty-something woman who has lived in an institution from a young age following her parents’ death in a car accident. When the institution must close due budget cuts, Molly is left in the charge of her neurotypical, older brother, Buck McKay, an advertising executive and perennial bachelor. Buck allows her to undergo an experimental medical treatment, with unexpectedly drastic results.