Tracey Berkowitz, 15, a self-described normal girl, loses her 9-year old brother, Sonny. In flashbacks and fragments, we meet her overbearing parents and the sweet, clueless Sonny. We watch Tracey navigate high school, friendless, picked on and teased. She develops a thing for Billy Zero, a new student, imagining he’s her boyfriend. We see the day she loses Sonny and we watch her try to find him.

Balaraju, the head of his village, lives with his wife Baby along with his two sons Chandrasekhar Rao and Bangari and two daughters. He helps Chandrasekhar become a doctor and builds a local hospital. On the day it opens, Chandrasekhar comes back home with his lover Kausalya, also a doctor. Both express their wish to marry and settle abroad, which upsets Balaraju, leading to their separation. 25 years later, Chandrasekhar, a successful doctor in London, tells the story to his son Abhiram and daughter Indu. Abhiram decides to go home to Balaraju and attempt a reconciliation. He meets his friend, Bunny, at the airport and goes to the village on Bunny’s bike the next day.

Ciro’s body is sinking in the dark waters of the Gulf of Naples. And as it sinks deeper and deeper, memories emerge. The sounds muffled by the water merge with the screams of fleeing people. It is 1980, the earth shakes, the palace collapses, but under the rubble you can hear the cry of a newborn baby still alive. Ten years later, we find that new-born baby as it survives as it can on the streets of Naples, nobody’s son. Vivid memories of a criminal education that made him what he is: Ciro Di Marzio, the Immortal. Prequel of the “Gomorra” tv show.

Two Navy men are ordered to bring a young offender to prison but decide to show him one last good time along the way.

Feeling isolated from that unwelcoming community, June and Jennifer Gibbons turn inward and reject communication with everyone but each other, retreating into their own fantasy world of artistic inspiration and adolescent desires.

Anirudh aka Anu lives in Allahabad and along with his friends, he makes local movies and also runs a gang that lets students cheat in exams. His life changes completely when he meets Maithili, whose father hires Anu to help her clear her exams.

‘A Vanishing Fog’ creates an emotionally deep mystical portrait of life’s end and beginning which are both born in the middle of life. The ancient sacred place Sumapaz Páramo in Colombia is the world’s largest Alpine tundra ecosystem and a source of drinking water for the capital’s 11 million residents who have to admire the protected mountain range with its mercilessly harsh climate from a respectful distance. Sumapaz, left outside human activities and the boundaries of law, has become a criminal backroad, the last barricades of which mountain guard F defends with his father and other natives.

A young queen falls in love with her physician, and they start a revolution that changes their nation forever.

Old sailor Chris Christofferson eagerly awaits the arrival of his grown daughter Anna, whom he sent at five years old to live with relatives in Minnesota. He has not seen her since, but believes her to be a decent and respectably employed young woman. When Anna arrives, however, it is clear that she has lived a hard life in the dregs of society, and that much of spirit has been extinguished. She falls in love with a young sailor rescued at sea by her father, but dreads to reveal to him the truth of her past. Both father and young man are deluded about her background, yet Anna cannot quite bring herself to allow them to remain deluded.

Set in a Japanese prisoner of war camp during World War II, the film focuses on the brutality and horror that the allied prisoners were exposed to as the Japanese metered out subjugation and punishment to a disgraced and defeated enemy. This harrowing drama concentrates on the deviations of legal and moral definitions when two opposing cultures clash. Although fictional, this was one of the earliest films to deal realistically with life and death in a Japanese prisoner-of-war camp during the Second War.

“STATISTICS” tells the story of six individuals who all share one thing in common: they will become statistics by the end of the day. They are neither heroes nor criminals, but everyday people who will become victims of everyday life. The events that take place will be read about today and forgotten tomorrow, but in that blink-of-an-eye, their lives and the lives of the people around them will be changed forever. It happens every day. Despite the tragedies, this is not a story about dying, but is in fact a very uplifting story about living. The message is simple: cherish life today because no one is guaranteed a tomorrow.

On the 6th December 1995, three Essex gang members were brutally murdered in cold blood. It’s now early 1997 and whoever killed the three men have yet to be brought to justice. An associate of the men, still mourning the loss of his friends, is convinced that it’s only a matter of time before he’s next. For him, the only way out is to go back in and work his way back up the criminal ladder. The higher he gets, the more violent the jobs become, his quest for power turning into an obsession. With life and family on the line can he hold his nerve together one last time in order to get out alive?