Pathways (Sean’s Lament): Takes place in the year 2010, when Atlanta’s indie hip hop scene was an untapped goldmine. Struggling promoter/manager Sean, tries to stay on track while carrying the burden of everyone around him. Can he find his path or will he continue to sleepwalk through life?
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Lizzie’s best friend, Andie, becomes pregnant and offers to give the baby to her. Lizzie’s husband, Peter, reluctantly goes along with being the child’s father, and Andie moves into the guest room for the remainder of the pregnancy.
Formerly known as “Two Women” or “Freezing Rain”. A man who wants all love, a wife who approaches her husband’s other woman, and a woman who wants to keep her love. A classy melodrama of these three people and their risky encounter.
Gil Carter and Art Croft ride into a small Nevada town plagued by cattle thieves. Initially suspected of being the rustlers themselves, Carter and Croft eventually join a posse out to get the criminals, who also may be involved in a recent shooting. When the posse closes in on a group that could be the fugitives, they must decide on a course of action, with numerous lives hanging in the balance.
Doc Martin tells the tale of Martin Clunes’ character in the film, in the months leading up to the Saving Grace story. Martin Bamford is a heart-broken London obstetrician, in a jealous rage after he finds out that his wife has been sleeping with three of his buddies. He escapes to a small Cornish fishing village, which he grows surprisingly attached to, and is extremely reluctant to return with his cheating wife when she comes to pick him up. Although he has only been looking for a week’s R & R, Dr Bamford stumbles across a network of secrets in the village of Port Isaac, and finds himself embroiled in the most exciting scandal the village has seen for centuries.
A stressed out lawyer and mother of three gets her yuletide wish when she wishes to see what her life would be like if she had chosen to pursue her career in Law rather than marrying and becoming a working mother.
Dong-Ho, a singer of pansori, travels the country in search of Song-hwa, a fellow orphan who also studied under the same strict master.
Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
Preppy and wealthy Whitt Sheffield is in his last semester of law school when a professor assigns him to act as an advocate for a young, single mother who needs help finding – and keeping – a job. Whitt, whose snooty father wants Whitt to follow him into corporate law, is insulted by the low-class assignment, especially after he meets Kylie Burch, the woman he has to help. Kylie and Whitt clash at first, and it looks like Whitt will never be able to help her if he doesn’t understand her situation. But when Kylie and her son’s future as a family is suddenly threatened, Whitt discovers he and Kylie may not be so different, after all.
I (Takumi Kitamura) am a high school student. I happen to find a diary by my classmate Sakura Yamauchi (Minami Hamabe) that reveals she is suffering from a pancreatic disease. I spent time with Sakura, but she dies. 12 years later, due to Sakura’s words, I (Shun Oguri) am now a high school teacher at the same school where I graduated from. While I talk with my student, I remember several months I spent with Sakura. Meanwhile, Kyoko (Keiko Kitagawa), who was Sakura’s friend, is soon to marry. Kyoko also recalls the days she spent with me and Sakura.
Fabienne is a star; a star of French cinema. She reigns amongst men who love and admire her. When she publishes her memoirs, her daughter Lumir returns from New York to Paris with her husband and young child. The reunion between mother and daughter will quickly turn to confrontation: truths will be told, accounts settled, loves and resentments confessed.
During the ’80s, a young man named Frankie dreams of escaping London’s South East region, and his mother’s thug of a boyfriend gives him just the opportunity. After beating up the abusive beau, Frankie runs off to Spain, where he lands a job delivering a package to the dapper Playboy Charlie, a gangster who takes him under his wing. Working as Charlie’s driver, Frankie is immersed in a world of fast cars and pretty women — but all the excess could be his undoing.