Antoine is a musician. The forties, he suddenly decides to end his career. After a few days of wandering, he gets a job as a janitor. Mathilde lives in the old building in the east of Paris where he takes office. This is a young retiree, generous and involved, who divides his time between his associational activities and the life of the condominium. One night, she discovers a disturbing crack on the wall of his living room. Gradually, his anxiety grew to turn into panic and if the building collapsed … Slowly, Antoine befriends the woman he feared to see slip into madness. Between slips and concerns, both form an awkward tandem, humorous and solidarity which will, perhaps, through this bad patch.

A successful, big city girl returns to her small town roots after a family emergency. Once there she goes on a soulful journey to reconnect with family and friends and finds romance along the way.

In this Shakespearean farce, Hero and her groom-to-be, Claudio, team up with Claudio’s commanding officer, Don Pedro, the week before their wedding to hatch a matchmaking scheme. Their targets are sharp-witted duo Benedick and Beatrice — a tough task indeed, considering their corresponding distaste for love and each other. Meanwhile, meddling Don John plots to ruin the wedding.

Paunvere parish school students Arno and Teele, Toots and Kiir, Tõnisson and Imelik experience feelings during one school winter, the traces of which they carry throughout their future lives – from true friendship and first love to self-discovery and clarifying life goals.

In powerful images, alternating between documentary observation and staged sequences, and dense soundscapes, Luiz Bolognesi documents the Indigenous community of the Yanomami and depicts their threatened natural environment in the Amazon rainforest.

Akash (Ranbir Kapoor) and Kiara (Priyanka Chopra) are trying to find luck in their life after several failed attempts to be successful in their careers and in love. Fed up, they both decide to commit suicide by jumping off a bridge. However, both land up on the same bridge at the same time.

The strangest thing about this story is that it’s true. In 1952, Argentina’s beloved First Lady, Eva Perón, died of cancer at the age of thirty-three. A renowned embalmer was commissioned by the grieving Juan Perón to preserve her body for display, and Argentines flocked to be near “Evita.” Three years later, when his government was overthrown by a military coup, Perón fled the country before he could make arrangements for the transportation of his wife’s body. The military junta now in control kidnapped the corpse; so afraid were they of Eva’s symbolic power that they even made it illegal to utter her name. Thus began the two-decade journey of Eva’s body throughout Europe and eventually back to Argentina.

Unrest breaks out in eastern Helsinki as a Finnish family man gets hospitalized in the summer of 2015. Gangs of young people are burning down cars and public buildings, confronting the security guards and the riot police. The narrative goes backwards, towards the riots which mark the end of our movie. As the story begins, the unrest is still bubbling under, ready to explode any time. Vandalism and robbery are not uncommon in the suburbs; neither is violence towards the police and the security guards. Frustration, alienation, isolation and poverty corrode the asphalt surface of the multicultured society, otherwise relatively harmonious.

Ji-hyuk is an expert safe-cracker who lives the highlife stealing antiques and jewelry with his team. CHO, a powerful and cruel gang boss threatens them to steal $150 million with him. Ji-hyuk plans to get revenge on CHO, but ends up falling into his trap. However, CHO later realizes it was all part of Ji-hyuk’s scheme. When Ji-hyuk, who was thought dead, reappears, hidden secret relations between the technicians also surface.

This anthology telefilm aired on NBC on November 8, 1969, and tells three strange tales: “The Cemetery,” directed by Boris Sagal; “Eyes,” directed by Steven Spielberg; and “The Escape Route,” directed by Barry Shear. This film also served as a backdoor pilot for the TV series of the same name, which premiered on December 16, 1970.

Tom Rath is a suburban father and husband haunted by his memories of World War II, including a wartime romance with Italian village girl Maria, which resulted in an illegitimate son he’s never seen. Pressed by his unhappy wife to get a higher-paying job, Rath goes to work as a public relations man for television network president Ralph Hopkins. Drawn into poisonous office politics, Tom finds he must choose his career or his family.

Cristiana is a 30 year old woman, brought up in a “proper”, bourgeois middle-class family. Her time is split between writing for her PhD in Earthquake Engineering, conversations with Alex and Michelle, her two close friends and occasional, eagerly awaited rendezvous’ with Dan, a married man with whom she is romantically involved. After her parents move out of the family apartment into a new house, she decides to get a dog. It is something that she wanted ever since she was a child and now that she lives on her own she can finally fulfill this wish.