Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the people around him, from the balcony of his Paris apartment.
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Three years ago, a father saved his daughter’s life. After she’s involved in a car accident, it looks like he’ll have to do it again, no matter how many attempts it takes.
J.R. is a fatherless boy growing up in the glow of a bar where the bartender, his Uncle Charlie, is the sharpest and most colorful of an assortment of quirky and demonstrative father figures. As the boy’s determined mother struggles to provide her son with opportunities denied to her — and leave the dilapidated home of her outrageous if begrudgingly supportive father — J.R. begins to gamely, if not always gracefully, pursue his romantic and professional dreams, with one foot persistently placed in Uncle Charlie’s bar.
Two childhood friends, a New York hairstylist and a wanna-be musician, get mixed-up with the mob and are forced to deliver $50,000 to Australia, but things go all wrong when the money is lost to a wild kangaroo.
Ford plays an American doctor whose wife suddenly vanishes in Paris. To find her, he navigates a puzzling web of language, locale, laissez-faire cops, triplicate-form filling bureaucrats and a defiant, mysterious waif who knows more than she tells.
Clavius, a powerful Roman military tribune, and his aide, Lucius, are tasked with solving the mystery of what happened to Jesus in the weeks following the crucifixion, in order to disprove the rumors of a risen Messiah and prevent an uprising in Jerusalem.
The film revolves around Davey Gordon (Jamie Smith), a 29 year old welterweight New York boxer in the end of his career, and his relationship with a dancer and her violent employer.
Lily (76) is sure there’s nothing wrong with her. The only reason she lives in a care home is because of her husband Max’s illness: a series of strokes has reduced him to a vegetable. The fact that Lily isn’t exactly the way she used to be becomes slowly clear in the Danish drama Key House Mirror – the title refers to a memory test. It’s not easy for Lily to leave her old habits behind her and fit in with the rules of the home. Her life blossoms when she meets an 80-year-old Swedish neighbour, a charming man who gives her the attention she has long missed. Lily’s daughter, however, is not so happy with the budding romance.
When 15-year-old Vicky Austin, her sister Suzy and little brother Rob visit their grandfather on Seven Bay Island, Vicky faces several unexpected challenges. Her beloved grandfather, retired Reverend Eaton, seems to be seriously ill, but tries to pretend that nothing is wrong. Vicky met the rich but emotionally troubled Zachary Gray the previous summer, and he reappears to renew the acquaintance. Another boy, 17-year-old Adam Eddington, recruits Vicky to help him with a research project, working with a dolphin called Basil. Vicky discovers she can communicate telepathically with the dolphin and his mate – and possibly with Adam as well
