A quintet of college kids take a road trip to an abandoned house and unintentionally drink infected water that turns them slowly insane and murderous – but this is no accident.
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Christie Parson has constant nightmares of her father’s death whom died in a swimming pool. Christie’s mother thinks it was an accident, but Christie believes in was murder. Christie then see’s an unknown figure dressed in a cape following her and harassing her. But still nobody believes her, until her boyfriend sees the figure himself. The figure hides in the town mortuary which is owned by Hank Andrews and his demented son, Paul and both are trying to form rituals to bring back Dr. Parson’s spirit. But who is this figure and why is he harassing Christie?
Genetically mutated bats escape and it’s up to a bat expert and the local sheriff to stop them.
A young biologist, Mary Jane, who focuses on lepidoptery (the study of moths and butterflies), doesn’t have the perfect life; she does however have what she considers the perfect son. Tragedy strikes and Mary Jane’s world is disturbingly turned upside down. Fleeing the troubled “real world” she embarks upon a solitary bush project. In the isolated and surreal landscape Mary Jane starts experiencing strange phenomena. The opportunity to be a mother again presents itself, only it comes at a cost for Mary Jane and what’s left of her family.
After months of trying and failing to get pregnant, Lucy and Adrian finally find their dream fertility doctor in the illustrious Dr. Hindle. But after becoming pregnant with a healthy baby girl, Lucy begins to notice something sinister through Hindle’s gleaming charm, and she sets out to uncover the unsettling truth about him, and her own “birth story.” As if getting pregnant weren’t complicated enough…
A couple buys a house from The Slumlord Tapes, infamous for hidden cameras and a psycho landlord. It’s not as safe as they tell themselves.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
A house is cursed by a vengeful ghost that dooms those who enter it with a violent death.
Deep in the English countryside, Lisa and Charlie prepare for their wedding at a Tudor mansion. But an angry crocodile lies in wait, determined to ruin their big day.
